Reviews

The premise of G20 is inherently silly. There’s no getting past it. It might...

While we wait to see Homer’s Odyssey as a big-budget Christopher Nolan...

Great ideas can strike in the strangest of circumstances. In the case of Drop,...

The revenge thriller is among the most satisfying staples of cinema: generally,...

That time when teens are on the cusp of adulthood has long proved fertile...

Over the past decade or so, the bar for kiddie-brand-exploiting cinema has...

The opening titles arrive at exactly the right moment. When a mythical horned...

To make an all-time-great album, you don’t play it safe. Ziggy Stardust, for...

After a series of big, bruising action efforts, director Jaume Collet-Serra is...

Appropriately, Warfare begins with a deafening assault, as Eric Prydz’s horny...

A death-defying ordeal in an impossible situation has been the inspiration for...

You’ve already seen this Nicole Kidman movie. She’s a housewife and loving...

A Working Man may be the Jason Statham-iest film ever to Stath. With its...

There’s a startling contrast to The End, introduced in its first minutes. A...

“Meet Nathan Caine. He can’t feel pain.” As far as poster taglines go,...

The rise and rise of the Chinese animation Ne Zha 2 is mythically impressive....

Being a film composer usually means a life away from the limelight, their...

The original animated 1937 Snow White And The Seven Dwarfs was branded...

If the digital de-ageing of the holy trinity of Robert De Niro, Al Pacino and...

Y2K, the directorial debut of Saturday Night Live cast member Kyle Mooney, is...

Few director/actor duos have been operating for as long as Paul W.S. Anderson...

The look on Uma’s (Radhika Apte) face, as she raises her wedding veil to...

“Your problem,” one character says to Ayo Edebiri’s Ariel Ecton in an...

It takes some cojones for a first-time filmmaker to take on the spirit of...