Reviews
A passion project in the works for eight years, Alice Lowe’s follow-up to...
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Both its release date (March 2020) and subject matter (people living in...
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There seems to be a new subgenre of horror/thriller movies emerging of late:...
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Dust gets everywhere in director Karrie Crouse and Will Joines’ hard-scrabble...
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The saga of writer-director Damien Leone’s signature horror character Art the...
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It’s no big secret that the world holds a narrow view on what is beautiful....
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The mental-health horror trend that’s been growing in recent years may be one...
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If you were able to go back in time and give your younger self some advice,...
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Is there any young actor on a par with Saoirse Ronan? She seamlessly inhabits...
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Here we are, then: Hellboy take three. After Guillermo del Toro’s superb...
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Time has always been kind to Francis Ford Coppola. The legendary filmmaker is...
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Right at the end of summer, at the tail end of a movie season stuffed with...
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In another world, The 4:30 Movie might have been named ‘Movierats’. Kevin...
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We all feel like we know Will Ferrell by this point. He’s a shouty, blustery...
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Writer-and-director Coralie Fargeat’s viscera-splattered follow-up to...
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This is an odd beast. Loosely based (very loosely) on a book by film critic...
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Interesting things are happening in the world of the Transformers at the...
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Christian Tafdrup’s 2022 horror Speak No Evil — available on Shudder —...
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Lee begins with the sound of a heart beating, fast. We see Kate Winslet’s Lee...
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Divorced, beheaded, died. Divorced, beheaded, survived. This English nursery...
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Azazel Jacobs’ pared-down sibling showdown begins with a static shot of...
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Blue Ruin and Green Room writer/director Jeremy Saulnier opts not to complete...
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At first glance, Wolfs, the first non-Spider-Man film from director Jon Watts...
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Who is the Joker? Ever since being introduced in the comics as Batman’s first...
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Director Daniel Kokotajlo follows up his 2017 debut Apostasy with a radical...
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When Elliot Page talks, you listen. And even when he doesn’t, you can’t...
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There’s a line from Glenn Close in the third act of Lee Daniels’ possession...
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Some men would rather go to prison than to therapy. Or at least, some men do go...
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More a cult classic than a full-blown masterpiece, the original 1988...
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