Journo Jon Voigt discovers that Germany is still more or less run by Nazi war criminals, after reading the diary of a jewish prisoner of war who committed suicide, and sets out to expose butchering Maximillian Schell for the jackbooted bastard he is.
The adaption of Frederick Forsyth's less successful follow-up to The Day Of The Jackal, which is essentially a bloated rerun of all those 1948 Dick Powell quickies about two-fisted heroes tracking down leftover Nazis. Voigt and Schell give genuine performances, but British bore Ronald Neame in the director's chair just lets it drag on and on.