Despite changes to the rules of engagement, the battle of the sexes continues to rage, and Richard Quine's dark comedy could easily be remade from the female perspective. So while accusations of political incorrectness could be levelled at this story of a confirmed bachelor who uses his comic-strip to vent his resentment at marrying while drunk, this remains more a study of male folly than misogyny.
Jack Lemmon is typically harassed as the reluctant groom who finds himself on trial, but it's Terry-Thomas' disapproving valet and Eddie Mayehoff's unsympathetic lawyer who steal the show.