Iranian director Kiarostami might not have made the worst film in history, but it's, without a shadow of a doubt, the most tedious.
Perhaps being generous this collection of watery images will kick off a debate on what constitutes cinema and the role of the director. But cinema isn't defined simply by pointing a camera at something and projecting the result the CCTV hidden in a bank autoteller could compose similar shots. There is no beauty in these images and no great insights to be gleaned from suffering a single take that might last up to 26 minutes.