Funded by Israelis** and filmed in a former **army training camp, Tawfik Abu Wael’s debut feature is as much about misguided intentions as it is about the Palestinian Question. Having moved his family from a fiercely Islamic town to an abandoned settlement to spare daughter Roba Blal from sexual shame, Hussein Yassin Mahajne imposes a strict regime. However, the cracks in his patriarchal tyranny result in him taking increasingly desperate measures to hold his household together.
The political symbolism is subtle, and Assaf Sudri’s cinematography is often sublime. But it’s the performances of the non-professional cast that give this provocative yet affecting picture its power.