Reviews

The fifth film from animation legend Henry Selick, Wendell & Wild is a dark...

True crime has traditionally lent a veneer of respectability to some pretty...

Ruben Östlund loves to take the piss. The Swedish director has made a habit of...

The mere existence of Bros shouldn’t be remarkable, but it is. If you can...

It's increasingly difficult now to convey the excitement of a film being shown...

From the second the lurid red letters of the opening credits hit the screen,...

It’s near impossible to watch Decision To Leave without memories of Basic...

The DC Film universe has, for nearly a decade now, been pinballing between the...

Young-Adult franchises are a golden goose. If you’re a film studio or...

Under any other circumstances, My Policeman might not have attracted much...

The modelling industry is tantalising in its prospects for visual glamour. As...

In Delhi, birds are falling out of the sky. An apocalyptic image, certainly,...

When you’re hewing to the trajectory of the original Halloween movies — as...

This is the third cinematic adaptation of the famous novel by Erich Maria...

Of the Brontë sisters, those three great 19th-century Yorkshire novelists,...

“All I ever knew of Africans was slaves,” says Malik (Jordan Bolger) in one...

Perhaps it shouldn’t be a surprise that composer Michael Giacchino has turned...

There is something fundamentally unsettling about being on the receiving end of...

At one point in Amsterdam, there is a scene involving (deep breath) Christian...

2013’s Philomena was a moving and gently funny account of one woman’s...

Blame the mushrooming dominance of the Halloween concept and a strange dearth...

It is both a blessing and a curse that there are now tons of stories about...

In some ways, Flux Gourmet is filmmaker Peter Strickland’s most accessible...

“Dumbest thing I ever heard,” is how one character describes the big plan...