Based on Blake Crouchs novels, this Matt Dillon-starring town-out-of-joint thriller plays as a hyper-caffeinated satire on the twist-genre, lifting from The Twilight Zone, The Truman Show, Twin Peaks, and exec producer M. Night Shyamalans CV. By episode five it goes nuts, and the revelation is way better than anything Lost came up with.
Wayward Pines Review
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