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Will Forte
Bruce Dern
Stacy Keach
June Squibb.
Alexander Payne.
Bob Nelson.
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115 minutes

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Meet The Parents

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Believing he has won $1 million in a lottery, elderly Montana resident Woody Grant (Dern) repeatedly tries to make his own way to the state capital of Nebraska to claim his prize. To save him from harm, Woody’s son David (Forte) decides to drive the old man there himself, stopping off at his father’s former hometown to break up the journey.

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With six features under his belt, Alexander Payne is starting to show his hand as a mainstream American auteur. And on the surface, Nebraska would appear to be a further exploration of the road-movie genre that he began with Sideways, in which two old college friends discovered more differences than commonalities during a wine-tasting tour of Santa Barbara. But really, like almost all of his films, it shows a fascination with married couples — the dynamics of their relationships and their identity as individuals, both of which feature heavily in this nuanced, poignant comedy.

Reflecting the film’s interest in roots, Payne’s film is shot in black and white, which mostly comes into play when Woody (Bruce Dern) and David (Will Forte) turn off the freeway and head into the wide-open plains. This is the real Nebraska of the story, since it is Woody’s birthplace: the place where he met his wife and the place they very soon left together. It remains much as he left it, a vast rural yonder punctuated by churches, barns and rusting farming equipment, a world in and of the past. It’s worth noting here that we see all this through David’s eyes, not Woody’s, since Woody is already in a state of semi-aware limbo, in the first clutches of a state of dementia that he won’t be coming back from.

It’s also worth noting that Woody and David won’t be alone for long, joined on their escapade when Woody’s wife Kate (June Squibb) jumps on a Greyhound bus and meets them in her and Woody’s old stomping ground. This is where Bob Nelson’s effortless screenplay really gets to work, as David starts to find out more about his mom and dad and, by extension, himself. In the town of Hawthorne, the Grants visit Woody’s brother and sister-in-law, and old family grudges and feuds start bubbling to the surface. Chief among them is the topic of money; taking Woody at his word, long-forgotten debts and favours are brought to the table: it is literally payback time.

These hometown scenes are the core of the movie, with David — like George Clooney’s Matt King in The Descendants — in the role of amateur detective, trying to put together some of the pieces of his father’s life. And things get a definite kick in the pants with the arrival of Ed Pegram (Stacy Keach), an ageing bully who recalls a grown-up version of Back To The Future’s Biff Tannen (perhaps not an idle comparison, since this, too, is an origins story). Keach is simply superb throughout, a rattlesnake waiting to strike, and when he does, it is an emotionally brutal, indelible moment.

But, then, all the performances in this affecting film are just as good. Forte plays a very fine straight man, while Squibb transforms from an awful henpecking housewife into one of the film’s most adorable characters. Dern, though, does the best work, making the befuddled, proud, boozy Woody a man worthy of our time and sympathy. It might go over the heads of younger audiences, but Nebraska will surely connect with middle-aged audiences and older with its almost Tokyo Story-like tale of generations, albeit with a slightly more wistful ending. The laughs — if, and not when, they come — derive from wry recognition (such as the way Kate and Woody refer to their friends and neighbours by their full names). Like most parents, their life together is a matter of to and fro, underpinned by a thick seam of affection and a shared understanding of who they used to be.

A charming road movie that develops into a full-blown study of life and roots, offering a beautiful insight into the way families migrate and change.

Reviewed by Damon Wise

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Average user rating for Nebraska
Empire Star Rating

tp://]Ne braskalexander Payne, the man behind Sideways, brings us this beautiful and heavy drama. Completely shot in black-and-white, Nebraska tells the story of Woody Grant. He`s a confused, older man who one day finds a letter in his mail box saying he won one million dollars in a lottery. The only thing he has to do to get the money is go to Lincoln,Nebraska to pick the price up. His two sons and excentric wife know it`s a marketing trick and ... More

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Posted by TheGodfather at 22:52, 13 February 2014 | Report This Post

RE: No sleep 'til Lincoln

Nebraska, even the name feels chilly. Opening shots we see our "hero" shuffling along the a highway and immediatly we are on his side. Woody (Bruce Dern) believes he's won a million dollars and despite being told it's a scam isn't taking it lying down,he's walkin! Eventually after a time David (Woody's son) takes it upon himself to take the old man and of course there by starts a whole other story. Middle America insights and fractured family ties along the way with some endearing m... More

Posted by Magenta at 13:41, 15 January 2014 | Report This Post

RE: it is absolutely great

The year's best movie. Period. And finally a best actor nod for Bruce Dern and add a nod for June Squibb who does the year's best supporting performance.a ... More

Posted by chang at 09:41, 31 December 2013 | Report This Post

it is absolutely great

One of the year's best movies. ... More

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Posted by tysmuse at 19:30, 23 December 2013 | Report This Post


Great on all levels. See it. ... More

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Posted by ryanjjhall04 at 19:24, 10 December 2013 | Report This Post

I love Alexander Payne

I also love Bruce Dern and Stacy Keach, and I'm interested in both Will Forte and Bob Odenkirk 'playing it straight'. I think this could be my most anticipated film of December, and I didn't think I'd say that knowing Anchorman 2, All Is Lost and The Desolation of Smaug are all coming out too! ... More

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Posted by FoxDhoj at 20:59, 01 December 2013 | Report This Post

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