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Woody Allen
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Woody Allen.
Woody Allen.
Running Time
96 minutes

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Woody at his very best...

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Disatisfied with his lot as a TV comedy writer and uncomfortable in his relationship with Tracy, a teenage drama student, Isaac Davis begins writing a novel and becomes besotted with Mary Wilke, a neurotic intellectual who's having an affair with his best friend, Yale.


When Woody Allen saw the rough cut of Manhattan, he asked producers Jack Rollins and Charles H. Joffe if United Artists would consider destroying every frame if he did his next film for them for free. However, thanks to editor Sandy Morse, this paean to his home town emerged as Allen's most effortlessly European feature.

    Accompanied by George Gershwin's sublime Rhapsody in Blue, the shots of the fireworks over Central Park, of Brooklyn Bridge, the Empire State Building and dawn coming up over the skyscrapers may seen quintessentially New York - and some have even claimed the picture as an East Coast equivalent to Orson Welles's The Lady from Shanghai (1948). But this is, in fact, Allen's take on La Dolce Vita (1960), with Isaac discovering the empty decadence of the city's chattering classes in much the same way that Marcello realised the moral and intellectual bankruptcy of Rome's elite.

    Filmed by Gordon Willis in Panavision on Technicolor stock that was printed in monochrome, this is not just Allen's most beautiful film. It's also the most personal. The absence of colour reflects Isaac's disillusion with both his career and the circle of friends with whom he has surrounded himself. They are all writers - Yale is working on a biography of Eugene O'Neill, Mary is a critic and columnist and his ex-wife, Jill, who left him for her lesbian lover, is writing a feminist tract on their marriage that he knows will lead to his socio-sexual humiliation. Moreover, their conversation is peppered with allusions to creative artists, from Strindberg and Kafka to Bergman, Fellini and Groucho Marx.

     Yet, Isaac consistently denigrates the one person who offers him an escape from all this shallow pretension and he only realises Tracy's importance when he includes her in his charming litany of crucial pleasures. Typically, the critics chose to castigate Allen for choosing a 17 year-old blonde as his soulmate. But she symbolises the energy and excitement that Isaac had forgotten existed within Manhattan and her parting exhortion to have faith in people is the solution to his emotional and artistic crises.

One of Woody's most aesthetically gorgeous films as well as his classic love-hate letter to the city of his soul.

Reviewed by David Parkinson

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Woody's best ... More

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Posted by bereski at 10:12, 07 February 2013 | Report This Post

tp://]Manhattani]"He adored New York City. He romanticized it all out of proportion."is the perferct description for Woody Allen`s ode to city. The merges the (love)life of his lead character Isaac (wonderfully portrayed by Allen himself) perfectly with his love for The Big Apple. He mixes both brilliantly: the lovely long dialogues, shaped by beautiful long shots in stunning black-and-white photography ( no matter what the season was, this was still a to... More

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Posted by TheGodfather at 23:18, 27 March 2012 | Report This Post

tp://]Manhattan beautiful, warm film about my favorite city where I`ve never been to yet. In Allen`s first black-and-white shot film he creates a sort of classic Hollywood atmosphere that is created in large by the jazzy music and the atmospheric camera work. He portrays city as a real character and not just as a background against wich the story is told. A nice and timeless story by the way with a great performance from Allen who plays the neurotic writer dating ... More

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Posted by TheGodfather at 19:31, 01 October 2010 | Report This Post

Allen's lyrical, beautiful tribute to the place at the centre of his heart. ... More

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Posted by willchadwick at 17:40, 18 March 2010 | Report This Post

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