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STAR RATINGS EXPLAINED
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FILM DETAILS
Certificate
PG
Cast
Michael Jayston
Janet Suzman
Roderic Noble
Ania Marson
Tom Baker.
Directors
Franklin J Schaffner.
Screenwriters
James Goldman
Edward Bond.
Running Time
183 minutes

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Nicholas and Alexandra
An evening in the Winter Palace with Tom Baker's mad Rasputin doesn't sound so cosy when there are ten thousand Bolsheviks breaking down the front door.


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Plot
Tsar Nicholas II of Russia is so devoted to his capricious wife Alexandra that he allows her to sway the conduct of domestic and foreign policy, with the result that both Rasputin (Tom Baker) and Lenin (Michael Bryant) are able to exploit their weakness and incongruity.


Review

Having respectively won Oscars for Lawrence of Arabia and Patton, producer Sam Spiegel and director Franklin J. Schaffner were no strangers to historical epics. Yet, they got the tone of this lavish biopic of the last Tsar so wrong that a fascinating subject was reduced to costumed soap opera. Working from the bestseller by Robert K. Massie, screenwriters James Goldman and Edward Bond not only tried to pack too much detail into 183 minutes, but they also saddled the cast with reams of magniloquent dialogue that veered from the trite to the mawkish and bombastic.

    However, the film's greatest fault was its bid to turn an inept ruler and his headstrong wife into tragic victims of domestic strife and the machinations of ruthless opportunists. Nicky and Alex are presented as a devoted couple who would have enjoyed an idyllic existence if they hadn't been burdened with the responsibilities of power and the strain of coping with a haemophiliac son.

    But such an approach ridiculously diminishes the role they played in the deaths of millions of their subjects between 1894 and 1917 and the splendid BBC series Fall of Eagles came much closer to capturing Nicholas's Hamlet-like genius for indecision and the prejudicial snobbery of his German spouse, whose insistence on this weak man ruling as an autocrat consigned his fond family to their doom.

     Michael Jayston and Janet Suzman struggle to cut through the script's deferential attitude to create credible characters, while the complex agendas of Tom Baker's Rasputin, Michael Bryant's Lenin and Brian Cox's Trotsky are depreciated into accessible clichés. The film deservedly won Oscars for its costumes and the ingenious art direction that Russified the Spanish and Yugoslav locations. But the wilfull focus on a sentimentalised love story rather than the reign's momentous political and military events makes this a dull record of a compelling period.

 


Verdict
A lengthy, visually impressive period piece with little in the way of new material or fresh spins on history to distinguish it.


Reviewed by David Parkinson

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Average user rating for Nicholas and Alexandra
Empire Star Rating

Historically, the film is generally accuarate and, probably sensibly, focuses on the Tsar and his family rather than trying to fit the whole spectacle of the Russian revolutions into the three hours. However, the portrayal of the Romanov family is quite sympathetic and unrealistic in the film. Often static, but with some memorable scenes and a noticable performance from Tom Baker. ... More

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Posted by cameraman at 19:16, 02 September 2006 | Report This Post



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