Register  |   Log In  |  
Sign up to our weekly newsletter    
Empire Magazine and iPad
Follow Me on Pinterest YouTube Tumblr Viber
Trending On Empire
The Big 2015 Movie Preview
The 50 Best Films Of 2014
Review Of The Year 2014
100 Greatest Characters
Your all-time favourite heroes and villains
Subscribe To Empire
Sign up now and save up to 63%
Unmissable 5 Stars
Excellent 4 Stars
Good 3 Stars
Poor 2 Stars
Tragic 1 Star

Jurgen Prochnow
Herbert Gronemeyer
Klaus Wennemann.
Wolfgang Petersen.
Lothar G Buchheim
Wolfgang Petersen.
Running Time
199 minutes

Hawk The Slayer
1 Star Empire Rating
Eyes Without A Face
4 Star Empire Rating
4 Star Empire Rating
Good Kill
4 Star Empire Rating
3 Star Empire Rating

My Darling Clementine
5 Star Empire Rating
Third Man, The
5 Star Empire Rating
Monty Python’s Life Of Brian [steel book]
5 Star Empire Rating
Still Alice
5 Star Empire Rating
5 Star Empire Rating

Redux version of this German Classic

submit to reddit

The story of a U-Boat engaged in the Battle of the Atlantic in 1942, their aim was to disrupt British shipping, but as British Naval vessels improved the battle and their missions became ever harder. This film tells the story of one long mission, and its impact upon the crew members.


A movie set almost entirely in a clammy sea vessel and running to more than three hours in its restored version would seem to ask a lot from its audience. But back in 1981, throughout a highly testing year-long shoot at Munich’s Bavaria Film Studios, Das Boot demanded even more from its cast of would-be submariners. For starters, director Wolfgang Petersen insisted that his actors avoid going out into sunlight for the entire summer for fear they’d tarnish the sickly but authentic pallor they had developed after spending months inside a big metal tube. Complementing their newly chalky complexions, the cast developed ragged beards, which for continuity’s sake they couldn’t shave. Then there was the infernal heat, the cramped space, the smell, the sweat, the showers of sparks and torrents of icy water…
     Far from being a sadist, Petersen’s obsession for detail stemmed from his humanitarian desire to show the world the hell that the U-boat crews of the Third Reich had endured. The events of the film unfold during the winter of 1941. By that time, thanks largely to Hitler’s disdain for naval policy, the Second Battle Of The Atlantic had already been virtually lost by the Wehrmacht. Not that the German public had any inkling of this. Fuelled by Nazi propaganda tales of glorious seabound adventure, young men signed up to set sail for their Führer aboard a hi-tech Unterseeboot. As Das Boot so masterfully illustrates, the reality was very different. The opening sequences, set in a shoreside beer hall in La Rochelle, contrast the raucous celebrations of Hitler’s new recruits with the cynical weariness of their captain (a magnificent Jürgen Prochnow) and the burned-out malaise of a naval hero (Otto Sander). Awarded a medal, the latter drunkenly litters his speech with anti-Nazi sentiments. Both men know what horrors lie beyond the harbour.
     While writing his screenplay, Petersen had stuck closely to the factually based novel by ex-war correspondent Lothar-Günther Buchheim, represented in the movie by Herbert Grönemeyer’s wet-behind-the-ears Lieutenant Werner. But when the time came to reconstruct the U-96 itself, the director and his technical team took their quest for reality to a new level. After heading to the Chicago Museum Of Science And Industry to study the only existing type IX-C U-boat, they assembled two full-scale mock-ups — an exterior and an interior — even drilling in the same type of screws used during World War II. (One duly impressed person was Steven Spielberg, who borrowed the sub shell mid-shoot for Indy to straddle in Raiders Of The Lost Ark; to Petersen’s horror, it sank two weeks after being returned.) Unlike Hollywood subs, the interior set had no moving walls. Once in, the actors were forced to endure the same conditions as their real-life characters, with 48 men packed into a boat that in peacetime held 24. 
     Circling around the grey limbo of the choppy Atlantic, these soldiers experienced one of the purest forms of warfare: interminably long, agonisingly tense stretches of waiting broken up by sudden bursts of nerve-shredding action. With his 1998 extended cut of the film, Petersen makes both sides of the equation even starker. Many of the reconstituted scenes are devoted to just showing the men killing time, whether picking at food and skirting around politics in the officer’s mess, or picking their noses in the filthy living quarters. Few films have dared to dwell so long on the tedious nature of combat, but as a result of these very human vignettes, something odd happens — we begin to forget that these men sail under a swastika flag. And like them, we start to get a strange yearning for a taste of the action. Yet, when that action finally arrives, it’s a brutal barrage to rival anything seen on the screen. 
     Though “seen” is probably the wrong word. This being a submarine, the only glimpse of the surface world is through a spindly, easily spotted periscope. So, when British destroyers attack with a ferocious succession of depth charges, all the men in this primitive vessel can really do is listen. At the time, the sounds of impact were marked out by technicians smashing on the set’s walls with hammers; in post-production, a series of powerful sound effects were expertly layered onto the action. Witness the tour de force set-piece in which the hulking
U-96 is forced to plunge far below safe depth; the aural storm of seismic detonations, violent creakings and groans of fracturing metal gets the heart pounding like a jack-hammer. Little wonder that two of Das Boot’s six nominations at the ’82 Oscars were for its sound and sound effects editing. Factor in the physical effects — the explosive leaks, the bolts popping like bullets — and the surreal horror experienced by a sub crew under fire suddenly becomes very real. Next to this, Crimson Tide looks like Boat Trip.
     This, then, is a rare case of a film’s technical brilliance being largely responsible for its humanism. By Das Boot’s tragic climax — the crew’s final return shattered by an undetected air assault — we have completely lost track of sides, forgotten politics, ditched preconceptions. All we’ve experienced is precisely what the men of the U-96 experienced — the inside of a combat boat. But, in Petersen’s hands, that’s more than enough to demonstrate the senseless chaos of war.


Das Boot Das Boot
Released: 12 September 2011
Completists will bemoan the lack of the original theatrical cut, but the Blu-ray is worth it for the collation of previous extras — smart docs, passionate director/star commentary — with slick new additions, including Petersen returning to the set in Back To The Boat. He emerges as a surprisingly humble man, still seeming a little surprised at what he achieved. Depth charged.

The execution is second to none; taut, claustrophobic and overwhelming —the depth charge sequence alone a tour de force of sound and vision to depict truth. One of the greats.

Reviewed by Nick de Semlyen

Write Your Review
To write your review please login or register.

Your Reviews

Average user rating for EMPIRE ESSAY: Das Boot
Empire Star Rating

the films isnt long and tedious at all there is only one word for it "brilliant" easily the best foreign film ever and one of the best war films ever you go through nearly 5 hours where you become part of the boat, the crew and the lifesyle got the dvd, speechless and full of tears by the end every time ... More

Empire User Rating

Posted by olmeister at 13:53, 13 April 2006 | Report This Post

Looong, at times tedious, but engaging nonetheless. Thoroughly excellent. ... More

Empire User Rating

Posted by mingusman at 20:04, 17 March 2006 | Report This Post

Black Mass Trailer Breakdown With Director Scott Cooper
Find out what's what with Johnny Depp's take on Boston Gangster Whitey Bulger

The N.W.A-Team
Empire visits the set of Straight Outta Compton

Mission: Impossible - Rogue Nation
Read Empire's official verdict

Empire Meets Joely Richardson
On Maggie, Arnie and Event Horizon

100 Greatest Movie Characters
The complete list of your all-time favourite heroes and villains

Vote Now For Your Favourite TV Shows
Pick your top five - if you can...

Paul Rudd Is Awesome
Being awesome: from Clueless to Ant-Man

Subscribe to Empire magazine
Empire print magazine

Delivered to your door – with exclusive subscriber only covers each month! Save money today and

Subscribe now!

Subscribe to Empire iPad edition
Empire digital magazine

Exclusive and enhanced content – get instant access via your iPad or Android device! Save money today and

Subscribe now!

Subscribe now and save up to 63%
Print, Digital & Package options available Subscribe today!
Empire's Film Studies 101 Series
Everything you ever wanted to know about filmmaking but were afraid to ask...
The Empire Digital Edition
With exclusive extras, interactive features, trailers and much more! Download now
Home  |  News  |  Blogs  |  Reviews  |  Future Films  |  Features  |  Interviews  |  Images  |  Competitions  |  Forum  |  Digital Edition  |  Podcast  |  Magazine Contact Us  |  Empire FAQ  |  Subscribe To Empire  |  Register
© Bauer Consumer Media Ltd  |  Legal Info  |  Editorial Complaints  |  Privacy Policy  |  Bauer Entertainment Network
Bauer Consumer Media Ltd (company number 01176085 and registered address 1 Lincoln Court, Lincoln Road, Peterborough, England PE1 2RF)