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Unmissable 5 Stars
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Cleavon Little
Gene Wilder
Slim Pickens
Harvey Korman
Madeline Kahn.
Mel Brooks.
Mel Brooks
Norman Steinberg

Rew Bergman
Richard Pryor
Alan Uger.
Running Time
93 minutes

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Blazing Saddles
Mel Brooks' cult comedy Western

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A hip young black man becomes sheriff of an ungrateful frontier town.

Blazing Saddles

In July of 1974, Mel Brooks sat in the screening room at Warner Bros anxiously watching the assembled executives who were about to view his recently completed Western spoof, Blazing Saddles. He was desperately in need of a hit. His debut movie, The Producers, had been a minor success despite being decried by some critics as "too Jewish" and "over manic", but his follow-up, The Twelve Chairs, had been an unmitigated flop.

Ninety or so minutes of glacial silence later, after the blank-faced bigwigs had exited the screening room, Brooks reasoned that he was in big trouble. The critical response on the film's release was hardly more encouraging. "What I found amazing was that, in one of our better theatres, a civilised-looking audience laughed loudest and longest at a scene in which a bunch of cowboys sit around a campfire eating beans," declared a horrified John Simon. "One after another, they raise their backsides a bit and break wind, each a bit louder than his predecessor. If this is what makes audiences happiest, all future for the cinema is gone with the wind." (All fart gags in Simonís view being equal, but some apparently more equal than others).

Of course, it was exactly what delighted audiences. Brooks' wholehearted embracing of rank vulgarity, together with his innovative quickfire sketch structure, titillated crowds more used to sophisticated Hollywood humour and, with its sheer quantity of gags, left them breathless; if one zinger misfired, there was sure to be another mere seconds away.

But there's more to Saddles than an object lesson in the comedic possibilities of intestinal gas. As the more perceptive critic Kenneth Tynan, himself no stranger to the expert employment of vulgarity, remarked, Blazing Saddles is "low comedy in which the custard pies are disguised hand-grenades".

Uniquely for a spoof, and certainly unique in Mel Brook's oeuvre, it has a darkly angry heart. It is a film about real bigotry, a phony West and the unreliability of movies as repositories for a shared history. "The official movie portrait of the West is simply a lie. I figured my career was finished anyway, so I wrote berserk, heartfelt stuff about white corruption and racism and Bible-thumping bigotry."

It's hardly surprising that, as a Jew, Brooks felt the Western to be an alienating genre. In an industry with a high percentage of Jewish people, from screenwriters to execs to studio owners, the Western was unique in allowing no place for the wit or sensibility that had helped define the industry, let alone for Jewish characters. Equally it grievously misrepresented the role of black people in the culture of the Old West, with the 9,000 black ranchworkers, cattle-hands and cowboys thoroughly invisible in the classics of the genre.

It was hardly surprising, then, that, from the film's very first joke, Brooks lays his cards on the table. A bunch of redneck gangmasters demand that the black workers engage in "a good old nigger worksong"; the assembled grafters respond with an incongruously sophisticated rendition of Cole Porter's classic, I Get No Kick From Champagne, while the potato heads wind up singing Camptown Races. It's a nifty and very funny reversal, but Brooks can't help following it up with a gag in which our black hero winds up neck-deep in sinking sand.

It's this scattershot juxtaposition of heartfelt, angry satire with dumbass slapstick, all seasoned with a fair measure of vulgarity, that gives Blazing Saddles a tone unique to film - a tone shared by the most successful comedy magazine of the times. It is, quite literally, political correctness gone Mad.

But if the bulk of the characters are bigoted or dumb or both, the movie is given its much-needed humanity by Gene Wilder and Cleavon Little as The Waco Kid and Sheriff Bart respectively. Wilder's career never flourished again as it did under Brooks' direction, and Little delivers an irresistible laid-back charm as a man who has to cope with little old ladies shouting, "Up yours, nigger!" at him.

Towards the end of the movie, Brooks' disciplined indiscipline runs out of control. But he manages to pull it back together and flick a final defiant "V" at the phoniness of the Western genre when, in the final shot of our heroes riding into the sunset, they suddenly dismount and climb into a limousine.

Everything about the romantic Western is a lie, it seems, including the happy ending. As Brooks said, he just wanted to "use every Western cliché in the book and perhaps, if we were lucky, kill some of them in the process". For him, it seemed to be personal, and perhaps it's for that reason he would never make anything as funny again.


Blazing Saddles Blazing Saddles
Released: 19 July 2004
›› Scene-specific audio commentary from director/ co-writer Mel Brooks.
›› Additional scenes.
›› Intimate Portrait: Madeline Kahn featurette.
›› Back In The Saddle cast and crew reunion documentary.
›› Black Bart: the 1975 TV pilot inspired by the movie, starring Lou Gossett Jr..

Stands next to Young Frankenstein as Brooks' best movie, and, of course, boasts the god of all fart gags.

Reviewed by Adam Smith

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Empire Star Rating

Hey! Where the White Women At?!

A comedy classic. Absolutely brilliant! Gene Wilder's not on the screen all that much in this one, but when he is, he's electric. Some of my favorite quotes from any movie ever come from this one. Harvey Korman's performance as Hedley Lamarr is nothing short of spectacular. Easily 5 stars. ... More

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Posted by Turd Ferguson at 22:20, 10 June 2011 | Report This Post

"He rode a Blazing Saddle!"

Mel Brooks created a wonderfully funny, very clever movie which is so fun and outrageous that it engraves itself into history as one of the all time great comedies. It's such a great movie in every way. ... More

Empire User Rating

Posted by krisjcummins at 21:44, 02 May 2010 | Report This Post


This is one of the first movies I remember seeing where I really laughed - the kind of laughter that's reserved for comedic genius. Ever since then, it has remained in my memory as one of my favourite comedies of all time; my favourite being Airplane! which probably wouldn't exist without a predecessor like this!   Seeing how Brooks used so many clichés in this masterpiece I feel it appropriate to sum up thus: Often copied, never bettered. ... More

Posted by nkay1985 at 00:49, 24 July 2006 | Report This Post


A Total Classic!   'Excuse me while I whip this out...' ... More

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Posted by nicholsonsmhead at 18:19, 23 July 2006 | Report This Post


Blazing Saddles is quite obviously a work of real guts, anger, frustration and a love for both art and the notion of having everyone in the room looking at you in utter disbelief and humourous asonishement. It intergrates some of the most profound racial messages in a globally inclusive way and is literally littered with some of the finest gags in cinematic history. Gene Wilder is fucking scorching alight in his role as The Waco Kid. I believe that he was replacement for a balls-to-the-wal... More

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Posted by Monkey Wrench at 22:28, 22 July 2006 | Report This Post

This is the first Mel Brooks directed flick I have seen, and I have to say it was pure comedic brillance. The comic timing of the characters, the self-relisation of it being a movie and the tomfoolishness of the character invites the audience to share the fun that the film obviously was to produce. The basic plot is that a black sheriff in a White Racist Wild West America has to stand up to the evil White Man Mayor's plots of destroying a town so he can put a rail road through it. This cre... More

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Posted by ukedge87 at 21:50, 22 July 2006 | Report This Post

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