Fifteen years after an ‘incident’ at a Japanese nuclear power plant, physicist Joe Brody (Cranston) joins forces with his soldier son Ford (Taylor-Johnson) to eke out the truth of what really happened. What they uncover is prelude to global-threatening devastation.
Edwards’ film boasts great filmmaking, noble intentions and cracking monster action. Yet it never reconciles its B-movie origins — preposterous premise, clichéd characters — with its solemn, Nolanised tone. This Godzilla stomps but very rarely romps.
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