Years after their intense schoolboy relationship ended, Ignacio calls filmmaker Enrique, leaving him a manuscript. Reading it, Enrique recognises events from their boyhood and is moved to re-investigate the past.
Not everyone's cup of caustic soda, this is inarguably served up with panache, from the Hitchcockian title sequence to the incorporation of torrid vintage melodramas the boys adore at the cinema and some slyly executed postscripts.
Reviewed by Angie Errigo
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