As mild-mannered foley artist Gilderoy (Jones) works on a low-budget Italian horror called Equestrian Vortex his grasp of reality and fiction becomes ever more blurry.
With a debut film, Katalin Varga, shot entirely in Hungarian, Strickland isn't one for the easy option. This excellent follow-up plunges into equally unusual terrain with similarly pleasing results.
Reviewed by David Hughes
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