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Marilyn Monroe
Sterling Hayden
Louis Calhern
Jean Hagen
James Whitmore.
John Huston.
Ben Maddow
John Huston.
Running Time
108 minutes

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The Asphalt Jungle
John Huston’s influential and superb heist movie.

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Erwin `Doc' Riedenschneider leaves jail and assembles a gang to execute a long-planned jewellery heist. However, no one trusts fence-lawyer, Alonzo D. Emmerich, and suspicion and caprice ensure that the meticulous scheme soon begins to unravel.

The Asphalt Jungle

John Huston is widely credited with bringing film noir to American screens with The Maltese Falcon in 1941. In that same year, he adapted W.R. Burnett's pulp novel High Sierra as a vehicle for Humphrey Bogart and he returned to the same author (who had also helped script Little Caesar and Scarface) for this prototype heist movie.
    Co-scripting with Ben Maddow, Huston achieved a tangible sense of postwar anxiety and urban grit by borrowing from both the noir tradition and the voguish brand of ultra-realist problem picture exemplified by the 1949 race drama Intruder in the Dust (which Maddow had adapted to considerable acclaim from William Faulkner's novel).
    Yet while the settings and dialogue were abrasively authentic, Huston couldn't resist empathising with the various losers against whom fate was about to conspire. Dix Handley (Hayden) is portrayed as a big lug who wants to buy back his father's Kentucky horse ranch; cat-loving getaway driver Gus Ninissi is a hunchback; while cracksman Louis Ciavelli (Caruso) has a family to feed. Similarly, the crooks' women - Hayden's girlfriend (Hagen), Calhern's wife (Tree) and mistress (Monroe) and Caruso's spouse (Celli) - are anything but the usual femmes fatale.
    Thus, the law-breakers are presented as anti-heroes rather than villains and their crime is considered more an act of desperation than greed. Yet once Doc's plan begins to fall apart, there proves to be little honour among the thieves and their cameraderies turns out to be as brittle as the morality of the cops set to watch over this hopelessly corrupted society.

     A seminal influence on crime pictures to this day, The Asphalt Jungle has been remade three times (but never well), as a Western (The Badlanders, 1950), a caper (Cairo, 1963) and a blaxploitation thriller (Cool Breeze, 1972).

A tight plot that's enriched by wonderfully crafted characters that each have their own key weaknesses.

Reviewed by David Parkinson

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Average user rating for The Asphalt Jungle
Empire Star Rating

A great movie- but not five stars!

Let's get this over and done with- the Asphalt Jungle is a good film- but it's not five stars. For one thing, some characters are more defined than others- Hayden's, at first seeming like an one-tone character, evolves into a complex, strong leading man, but characters like Louis Ciavelli deserve more screen time- he’s tragically underused, when in fact, he’s a pretty engaging character (and cool to boot.) Similar to Monroe, who's relationship with Emmerich (Calhern) deserves more screen time... More

Empire User Rating

Posted by jamesbondguy at 18:33, 29 May 2007 | Report This Post

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