Register  |   Log In  |  
Sign up to our weekly newsletter    
Search   
Empire Magazine and iPad
Follow Me on Pinterest YouTube Tumblr Viber
Empire
Trending On Empire
The Big 2015 Movie Preview
The 50 Best Films Of 2014
Review Of The Year 2014
The Perfect Night In
Great Movies From Warner Bros.
Create A Short Film
With the BFI & O2
Movie News

LATEST HEADLINES
YESTERDAY
Empire Podcast 177: Ron Perlman, Tom Hardy and Brian Helgeland
We won't lie, things get pretty Kray Kray
Ron Perlman Talks Hellboy III
Exclusive: 'He has to take down civilisation...'
Star Wars: The Force Awakens Toys Offer New Clues To The Film
And Kylo Ren talks at last...
Straight Outta Compton Sequel To Focus On Death Row Records
Producer L. Leigh Savidge adapting his documentary
Andrea Riseborough Signs Up For Bloodline
Joining John Leguizamo as another new cast regular
Selena Gomez Set For Bad Neighbours 2
Playing Chloe Grace Moretz's sorority rival
Stephen Rider Joins Daredevil Season 2
Playing District Attorney Blake Tower
More Movie News

Comic-Con: End Of Watch First Look
David Ayer's found footage cop movie

14 July 2012  |  Written by Chris Hewitt  

submit to reddit

Jake Gylleenhaal and Michael Pena in End Of Watch

Comic-Con isn't all about caped crusaders or Men of Steel, or hairy-footed Hobbits. But that said, it was still refreshing to see David Ayer's End Of Watch receive its premiere in Hall H today.

That's because the movie is a straight-up cop film, with no genre trappings or gimmicks, following LAPD partners Jake Gylleenhaal and Michael Pena on a typical day in their lives, a day that soon threatens to turn deadly when they're marked for death by a notorious gang.

Ayer has been here before he wrote Training Day and Dark Blue, wrote and directed Harsh Times and Street Kings, all of which dealt with corruption in the LAPD but this one promises to be different, and is based on real-life experiences of policemen friends of his.

“They’re good guys, they believe in the mission but they’re street-smart and they’re bad dudes," he said. "It's like a marriage, and in a marriage you don't get shot at. Well, it depends on where you live."

The film is also set apart by its shooting style, with Ayer capturing the action on a series of found-footage style camera, from dashboard-mounted cams to iPhones. He even strapped cameras to his actors. "I thought, how is this guy going to make a movie?" mused Pena. "It was all POV, POV, POV, POV. He strapped a camera onto me, he built all these weird contraptions - I was like a Mexican RoboCop!"

Ayer and Pena brought some footage from the film, and it looked impressive, from a very funny ridealong scene where Pena's frequent cursing is bleeped out, to a much more intense sequence where he and Gyllenhaal are called to a burning building, and endure a close shave with some falling masonry. It doesn't feel like a found-footage movie, it feels fresh and new and vibrant. "We shot it over 21 days," said Ayer. "The cameras I needed simply didn't exist. I had to build them. And the script exploded out of me in six days."

For more on End Of Watch, stay tuned to Empire Online and a future issue of Empire magazine.

 


Have Your Say
To comment on this, and all articles, register for free or login now.

Comic-Con: Silent Hill: Revelation Bows
First look at Michael Bassett's 3D flick
Hugh Laurie May Be Robocop's Villain
UPDATE: He's no longer in talks

Your Comments

THIS IS NOT
...a found footage film. It uses footage filmed in context, but the majority of the camera work is independent of the cameras attached to the cops' vests. It's a combination of both that doesn't make sense at firs, but is essential by the time the first fight commences. MOST of the footage is NOT on iphones, CCTV or any other in-film device. More

Posted by DuaneEddy at 12:09 on 16 July 2012 | Report This Post

THIS IS NOT
...a found footage film. It uses footage filmed in context, but the majority of the camera work is independent of the cameras attached to the cops' vests. It's a combination of both that doesn't make sense at firs, but is essential by the time the first fight commences. MOST of the footage is NOT on iphones, CCTV or any other in-film device. More

Posted by DuaneEddy at 12:09 on 16 July 2012 | Report This Post


CURRENT HIGHLIGHTS
Empire Meets The Stars Of Me And Earl And The Dying Girl
On the Sundance smash, bedroom posters and Nick Offerman

10 Star Wars: The Force Awakens Toys You’ll Want To Own
Falcon quad copter? BB-8 Sphero? We’re already asking for pay raises…

Wes Craven: Film By Film
Empire celebrates the late, great horror director

My Movie Life: Andrew Haigh
The 45 Years director on the movies that made him

Vanity Projects: The Musical Edition
A dozen more hits and misses from the rock and pop world

Inside The Martian: Empire Meets NASA
Prepare to science the shit out of it...

Deadpool: A Complete History
Empire's guide to The Merc With A Mouth, in comics and on screen

Subscribe to Empire magazine
Empire print magazine

Delivered to your door – with exclusive subscriber only covers each month! Save money today and

Subscribe now!

Subscribe to Empire iPad edition
Empire digital magazine

Exclusive and enhanced content – get instant access via your iPad or Android device! Save money today and

Subscribe now!

Subscribe now and save up to 63%
Print, Digital & Package options available Subscribe today!
Empire's Film Studies 101 Series
Everything you ever wanted to know about filmmaking but were afraid to ask...
The Empire Digital Edition
With exclusive extras, interactive features, trailers and much more! Download now
Home  |  News  |  Blogs  |  Reviews  |  Future Films  |  Features  |  Interviews  |  Images  |  Competitions  |  Forum  |  Digital Edition  |  Podcast  |  Magazine Contact Us  |  Empire FAQ  |  Subscribe To Empire  |  Register
© Bauer Consumer Media Ltd  |  Legal Info  |  Editorial Complaints  |  Privacy Policy  |  Bauer Entertainment Network
Bauer Consumer Media Ltd (company number 01176085 and registered address 1 Lincoln Court, Lincoln Road, Peterborough, England PE1 2RF)