With its detailed discussion of European politics on the eve of the Spanish Civil and Second World Wars, this fact-based tale of gentlemanly espionage, impoverished exile and deceptive appearances has much in common with Ken Loachs Land And Freedom.
However, despite all the talk of Bolsheviks, fascists and White Russians, one-time tsarist general Renkos betrayal of his artist wife could have come from one of Rohmers own sublime Moral Tales. Essentially, its a study in infidelity, with Renko pitilessly exploiting Didaskalus trust to provide a front for his nefarious activities.
Despite the inclusion of newsreel cues, the period complexity might alienate some, while others may bridle at Didaskalus passivity.
But the 83 year-old director remains the master of erudite dialogue and the delicious psychology of relationships.