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"We shot it in Hong Kong; we were there last year for 5 or 6 months. It's probably the best-looking film I've done just because we shot a lot of it on the streets, and rather than just closing the street we just threw people in it. We never used any blue screen or any green screen. We augmented the shots with lots of special affects but they're all basically there. We really pushed the colours; there are very strong reds and greens and lots of strip lighting. It's a beautiful place to shoot."
Haven't seen the trailer? Click here to watch the Push trailer
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