RELATED INTERVIEWS

Anne Hathaway Talks Catwoman On The Dark Knight Rises, the catsuit, following Pfeiffer and not sounding like a Muppet

Sir Michael Caine On The Dark Knight Trilogy Alfred talks Christopher Nolan, Christian Bale and requesting 10% of the gross...

Gary Oldman Talks Batman 'This is the Fast And Furious version. It is a truly epic conclusion'

Christian Bale On The Dark Knight Rises Batman himself talks about Christopher Nolan’s Batman trilogy

Hans Zimmer On Scoring Batman The composer on his three-film odyssey...

Tom Hardy Talks Bane The Dark Knight Rises? Not if this guy has any say in it.

Gotham's Mayor On The Dark Knight Rises Nestor Carbonell on returning to politics

The Dark Knight Rises: Cast Interviews Anne Hathaway, Marion Cotillard, Joseph Gordon-Levitt and Morgan Freeman on the Nolan Bat-trilogy

Jonathan Nolan On Constructing The Dark Knight Rises, Robin, Justice League And What’s Next... 'I'm incredibly excited by the Justice League movie'

More Interviews

RELATED REVIEWS

The Dark Knight Rises (2012)

More new cinemas releases

DVD & Blu-ray releases

Aidan Gillen On The Dark Knight Rises Prologue Scene The Dark Knight Rises’ CIA man on his memorable encounter with Bane

Tweet

I didn’t actually meet with or speak to Chris Nolan until Day One on the set. I had a few questions, naturally, about how much I was supposed to know about Bane ¬in the story — whether we were actually looking for him or was this just a fortuitous, or rather not very fortuitous encounter, on my part, that is. I got some answers, but didn’t ask about anything that didn’t relate to the scene we were shooting, as at this point I also knew it would be the opening scene and anything beyond this in story terms wasn’t really relevant. As the Bane character has been around a while, I had the basic Bane knowledge — ie he’s big and he’s strong.

How many days did you shoot for?
I was at Cardington for about seven days, but only shot on two or three of those. The sets there are built inside two massive World War One airship hangars, which are very Batman.

How much did you work in special-effects supervisor Chris Corbould’s hydraulic rig set of the CIA plane?
I was in that rig for a day or two. The rig itself did just about as much as you could possibly expect to replicate the action of an out-of-control plane without actually being in one, and you had to watch out for real, cos it was still pretty high up, with an open door, and you’re rolling around with stuff flying all over the place when it gets going. All controlled, sure, but you had to watch it. Wind machines blowing broken glass in several directions, people falling past, a massive IMAX camera that makes a sound not unlike a wind machine itself…

It was cool to see the dynamic between Nolan and Wally Pfister. I hadn’t reckoned on it being such a level partnership. Wally is like something from a John Ford or Howard Hawkes set, if not those actual guys themselves. Very old-school feel, super-profane, all in a good way. And despite it being such a massive set-up, they were shooting in what seemed a very loose and free manner.

I felt at home getting shunted around up there, firing my gun and hanging guys out the door. And thinking, “Shit — this only lasts until Wednesday.”

Did you experience the rig going fully vertical?
I’d love to say I was there all the way, but I made it to about 45 degrees, then it was time to hand it over [to the stuntmen]. But that’s only for one falling shot, really… and loads of lying on the floor with a ton-weight IMAX camera 20 feet above you…

How much did you interact with Tom Hardy? How was he to work with?
We were just getting on with it. I tend to keep to myself in between takes when working on anything, and in this case you really did have to listen out so you were on-side with what was going to be happening next. He had the mask on all the time and it was very noisy, like I said, with the hydraulics, wind machines and camera, so it was really a quite technical exercise, like me trying to find timings so I’d know whose turn it was to talk. He’d be arriving with a sack over his head, so the long-lensers in the bushes couldn’t get any shots of the mask, which was amusing!

What did you make of the final product?
I really liked the film. As final part of the trilogy it had a proper sense of closure and it looked absolutely beautiful. I also liked the way, by the time we reached the finale, it was really obviously Manhattan we were looking at, and all that that brought with it. The levels of anxiety that had been present throughout the trilogy were maintained — ramped up, even — from first scene through to the last.

The Dark Knight Rises is out now on Blu-ray, DVD and Ultra-Violet.

CURRENT HIGHLIGHTS
		The Hangover Part III Cast & Crew Interviews Cooper, Galifianakis, Helms, Jeong, Bartha, Graham and Phillips!
		Edgar Wright's Essential Movie Music Playlist Listen to the seventeen tunes and cues of the World’s End director’s life
		Cannes Film Festival Videblogisode #4 With Alec Baldwin and James Toback plus longstanding videblog-guest Stephen Woolley
		Empire's Great Gatsby Video Interviews Leonardo DiCaprio! Carey Mulligan! Tobey Maguire! Joel Edgerton! Baz Luhrmann!
		The Biggest Doctor Who Jaw-Droppers The Time Lord's biggest surprises over 50 years of TV
		Quicksilver & Scarlet Witch: A Beginner's Guide To The Avengers 2 Newcomers Your primer on the brother and sister joining the A-team
		Clint Mansell On Making Requiem For A Dream 'Darren had to edit at night because he could get access to the studio for free then.'

Follow @empiremagazine