britesparc
Posts: 1967
Joined: 3/10/2005 From: Manchester
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The excess hype surrounding Borat would lead one to expect a comic revolution; a genre-busting, reality-redefining classic to sit alongside Pulp Fiction or Rashamon. Whilst that may not exactly be the case, the end result is a film that is very, very funny indeed, but one that, above all else, cements Sasha Baron Cohen’s position as one of, if not the, premier comic force of his generation. First, though, the film itself: many may expect a straight mockumentary, mimicking the insulting interviews he’s famous for from his TV appearances. Whilst this does form the spine of the film, however, the movie branches off on a narrative tangent; thus we follow Borat on a spiritual as well as physical journey across America, as he tries to find Pamela Anderson and, well, take her virginity. Thus the film becomes more of a travelogue, as a carefully planned documentary disintegrates with fractured relationships and disastrous encounters, all of it captured – hilariously – on film. This is not a movie that specifically lampoons America; it’s not two hours of cultured Europeans taking the piss. Rather, it’s a gently moving story of an innocent abroad, of a man who is a total alien in the western world; at first it is intoxicating, but eventually it becomes, perhaps, a bit too much. Central to this is Baron Cohen’s performance: it’s amazing. Borat is a character so naively offensive, it would be very easy for the film to degenerate into one-joke ridicule: put Borat into an unlikely situation, have him say something racist/misogynistic/anti-Semitic, sit back and enjoy the fireworks. It’s a formula that would tire. However, Baron Cohen portrays so many levels of subtlety and pathos underneath that ridiculous tasche, that one is always on Borat’s side. Everything he does is wrong, but never out of spite or malice; he’s just an idiot. Baron Cohen deserves an Oscar, pure and simple, and if he’s not even rewarded with a nomination, there’s something wrong in the world. Of course, most people will just be going to see Borat to have a laugh, and in that sense, the film doesn’t disappoint: it’s really bloody funny. Arguably the funniest film of the year (though Clerks II runs close), its humour skates so close to the knuckle your hands will bleed, but if you’re prepared to take it on its own terms then you’re in for a great time. Sometimes, admittedly, it does feel that the humour is slipping into dodgy Jackass-style territory, and sometimes there’s a feeling that maybe Baron Cohen and co. are picking on people, but the overall impression is that this really is a damn fine comedy, and a brilliant film.
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