Davechoc
Posts: 75
Joined: 18/4/2006
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I'd been meaning to see the original Wicker Man for some time, so a friend and myself watched it on dvd and then went off to the cinema for this remake. What made the original so effective a chiller was the plausibility of the scenario. The islanders and their town were as I'd imagine they would be on a remote Scottish island in the 1970s; seemingly a little quaint and insular, with 'local ways' but otherwise ordinary. Edward Woodward's policeman is a hard, devout Christian who tries to tolerate the islanders' ways but is slowly driven to anger by what he sees as their heathenism and their seeming reluctance to help his investigation. In this awful remake the inhabitants seem to have watched The Village one too many times - they walk round in olde worlde clothes and talk in an odd arcane way, despite being not too far from 21st-century America. Similarly the original's island had a harsh, rugged beauty; it was remote and stark and other-wordly. People have commented that the one good thing in this remake is the cinematography, but that isn't even true: it looks either mediocre or soft-focus - this island is too sunny and pleasant-looking a place for such sinister goings-on. The whole plot was a Disneyfied version of the classic original. The raw sexuality which so shocks Edward Woodward's Christian policeman is entirely absent here and the violence in the film is either typically-cartoonish American-movie violence or, if it is genuinely shocking, off-screen (Cage's line 'My legs! My legs!' reminded me of Luke Perry in the Simpsons: 'My face! My beautiful face!'). The film was a neutered chiller for a 12A market. I imagine a remake with the nudity of the original and the confrontationalism of the two religious beliefs would be far too shocking for a country as conservative as America. The original, while effectively tense, also made for a biting critique of mass religious belief. On the island children could be used to lie to strangers, to ensnare them, and even to light the bonfire that would kill them (as in this version), if they were indoctrinated in primitive beliefs in a closed community: Edward Woodward's character, himself so convinced of the rightness of his own beliefs, shouts quotes from the Bible from inside the Wicker Man at the end of the film, but his words seem as empty, primitive and pompous as the ritualistic dancing of the islanders watching him burn. Without this major conflict, Cage's character has been given 'trauma issues' and a pill problem to cope with the anxiety. Similarly, since the reason for Edward Woodward's policeman being lured to the island doesn't apply here, the film-makers were forced to engineer an awful love plot, which plays like a bad daytime soap, and around which the use of men in the matriarchal society revolves: it is also the key to a terrible coda tacked onto the end, which, God forbid, could set up for Wicker Man 2. This return to the modern world would ruin the claustrophobia and tension of the island-set scenes, except that there wasn't any in the first place... Many things have changed in the remake without any real need. The islanders' crop is now honey, for no other reason, it seems, than having Cage's character have a bee allergy (which he doesn't help by running straight into a field of hives rather than, duh, running out), though even then there appears to be no dramatic plot device that necessitates this allergy. The women are in control in this community, which doesn't add any drama and just makes for lots of floating around, a condescending attitude towards men, and referring to everyone as 'Sister', a tired plot device apparently thought to be shorthand for 'dangerous cult'. This is just one example of many horror cliches employed which are tiresome and do not add any sense of dread, which include: - A pair of blind elderly twins who speak in unison and say 'terrifying' things like 'It is he'. After all blind elderly twins who speak in unison always add spookiness to a film. - a by-the-numbers soundtrack which signposts the 'shocks' as they arrive, and 'scary' whispering sounds in the woods - compare this to the original's clever and unnerving use of folk music - a dank, dark crypt slotted daftly in the script - the 'waking up within a dream' device - the bird flying out from the desk (no beetle tied to a maypole imagery in this version) Plus the costumes at the end were too bloody good! In the original the costumes were a mix of good and crap, just like you'd expect villagers to make, not ones that looked like they'd be borrowed from a Hollywood film. Oh wait... What a waste of time and money. I didn't think I'd see a film as bad as Lady In the Water so soon, but I was proved wrong (No stars).
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