FoximusPrime
Posts: 224
Joined: 11/12/2005
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quote:
ORIGINAL: ThirdCoen quote:
ORIGINAL: FoximusPrime AMEN TO THAT! For a minute I thought I was the only one who thought Superman Returns smoked bone!! Honestly, the film was like a collection of religious symbolism all strung together by a flimsy plot that might- just might- have been done in Superman: The Movie. But of course we have the added bonus of superboy, just to ram home the biblical bullshit even harder. Reminds me of Neo flying at the end of the Matrix: Can of worms, much? It looked great and I'm sure it was a nice little project for Singer, but there was zero substance as an entertaining film. Oh, and a question: What was the purpose of showing us that flashback of Clark's childhood? It seemed to have no relevance to the story whatsoever, other than to show us he was once a child. Who could fly. Is it an exercise in joining the dots? "Look, there's Kal-el as a kid with super powers. Now don't forget that cos it might come in handy later on- you know, a kid. With super powers..." Basically, Singer's forced us to see that father-son-son-father crap, now let's focus on Superman again shall we? I am looking forward to Supes VI, but it needs a NEW story, but a GOOD, established villain/evil scheme combo (I'm fine with Luthor again, but lets leave the real estate eh?), a la Kevin Smith's pitch. Do completely original main characters in these films ever work? I wouldn't have thought the next one could be anything other than an improvement (unless we get a shot-for-shot remake of Supes 4) I think the purpose of the flashbacks to Clark as a boy, wherein a young Clark acquired his powers of flight in order to avoid falling through the barn roof onto some nasty looking farm hardware, was to foreshadow the fact that his powers come to him out of necessity. So when Lois is about to be killed Superboy pushes a piano across the room, saving his mom. Maybe it was too subtle... That's all well and good, putting that fantastically short and misplaced scene an hour and a half before the possible pay off. Apart from the fact that we don't know for definite that the kid threw the piano (which seems quite deliberately vague by Singer). Obviously that would be one implication of a flying piano, but your little theory gets blown to shit when the brat does all of sweet FA when not only himself, but his mother and the dude who raised him are about to die horribly in the yacht's galley. Maybe he was pretty sure he'd survive and as such couldn't care less for Lois or Cyclops? He had already saved her once... Oh, and necessity? I'm thinking the fact the young Clark could leap a couple of miles at a time and was picking up Jonathan Kent's pickup (no pun intended) the minute he crashed on Earth, would mean that Clark was reasonably aware that a couple of steel spikes wouldn't pose too much danger. So, not only was the scene seemingly shoe-horned into where it was, but it still doesn't have much of a point (a bit like a pre-Superman Clark wearing glasses- that's some forward planning right there). Maybe Singer just wants some over-zealous fanboys to think it was too subtle...
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