Deviation
Posts: 26905
Joined: 2/6/2006 From: Enemies of Film HQ
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Bland generic filler is literally the description I would name any score from Tomorrow Never Dies to Quantum of Solace, which sound like something Silvestri or any other bland action composer would do with some added cues from Barry's tracks. At least Skyfall had some color and dunno, actually gave me some desire to re-listen to it something which hasn't happened since Goldeneye (though Goldeneye is mostly to hear how such a thing was possible). Cause it's good and occasionally awesome. Chimera, Deep Water, Quatermaster, The Moors, Adrenaline and the Istanbul tracks are excellent tracks. They're not Barry, nothing in the franchise will have those stylish, out-there tones as Barry and that brilliant marriage of synths, jazz and orchestra he had (or his tracks written for the Afghanistan bits in The Living Daylights, which is Jarre in greatness), but it's a damned improvement over Arnold. Also, I take back "the worst of the franchise bit", I forgot Martin, Hamlisch and the uninteresting atrocity that was Conti's For Your Eyes Only soundtrack. At least Arnold achieved some balance between "synths" and orchestral, those didn't.
< Message edited by Deviation -- 11/2/2013 12:00:59 AM >
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