Neth
Posts: 4750
Joined: 3/10/2005
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Warner Brothers really screwed the pooch on the marketing of this one. After the first trailer went live, fans bemoaned that they didn't see enough action or any of Spacey's Lex Luthor. Subsequent trailers will filled with snippets of set-pieces and Spacey barking his lines - but it appears the load was blown too early, because these glimpses really did end up amounting to all the best bits from Superman Returns. Singer clearly doesn't know what he wants his movie to be - origin story? Sequel to part two? Fresh take on the original? The film works on the assumption that we're all terribly familiar with these characters, but at the same time goes to great lengths to remind us of Kal-El's backstory and weaknesses. It creates an episodic structure that causes the film to drag, and the middle section seems especially overlong. Instead of just being two and a half hours, the film actually feels like two and a half hours. Routh is fine - he's channelling Christopher Reeve for sure, but he brings enough to the dual roles to make them his own. The problems lie with practically every other cast member. Bosworth's Lois doesn't ever achieve the plucky charm of Margot Kidder; James Marsden - supposedly Supes' love rival - is never anything more than a complete drip; Sam Huntington's Jimmy Olsen is annoying from the second he opens his mouth and doesn't get any better; and as for Spacey... His Lex Luthor is a poor Gene Hackman Xerox - his plan may involve the slaughter of billions, but he's just too panto-ish for anyone to actually believe he'd pull it off. Sneering his way through the best dialogue in the film, he provides the only bright spots of humour but fails to match them in terms of real menace. The set-pieces - although snappily edited and visually impressive - generally seem to consist of Superman using his strength to either pick really big things up, or put really big things down back down gently. By the time the climax arrives, you'll be longing for a superhero smack down (remember how good Superman vs Zod was in the streets of Metropolis?), but you never get one. Instead, once again, it relies of Superman's generous lifting ability. Not exactly rousing stuff. The good points? Well, aside from Routh, the special effects are pretty impressive (although in this day and age, it'll no longer cause your jaw to hit the floor when you see a man fly - and in some shots, a badly-rendered CG Superman is very noticable) and John Ottman's take on Williams' classic theme can bring a smile to your face in a matter of seconds. Singer certainly leaves plenty of room for improvement in his potential sequel, though - give this Superman a real threat and a pair of more judicious editing scissors and there could be something great waiting to happen. But as it stands on its own, Superman Returns remains a flat, humourless and annoyingly smug blast of disappointment. **
< Message edited by Neth -- 15/7/2006 5:17:36 PM >
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"You taste like a burger. I don't like you anymore."
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