Padraic Coffey
Posts: 15
Joined: 7/1/2006
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I was trying to think of films that deliberately confront their audiences and imply they are complicit in the violence taking place on screen. Two obvious examples are John McNaughton's Henry: Portrait of a Serial Killer (1986) and Michael Haneke's Funny Games (1997). In Henry: Portrait of a Serial Killer, the two main characters watch a videotape of themselves murdering a family. We see most of the scene from their POV, observing the television, so that we too are simply watching this footage of murder. In Funny Games, confrontational messages are made to the audience many times on why they are still watching the terrorism of a family by two men. At one point, one of the men turns and winks at the camera. Can anyone suggest other examples of this phenomenon?
< Message edited by elab49 -- 9/3/2013 11:49:27 PM >
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