Drooch
Posts: 129
Joined: 31/5/2006
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quote:
ORIGINAL: peter quote:
ORIGINAL: Drooch Good post - well reasoned and without the unhelpful stupidity and smugness that plagues a lot of these, well done. Firstly, I'm not suggesting that the studio is not to blame, at all - Fox are greedy, soulless, audience-hating fuckers. You've presented two options. Gun to my head, I'd pick option 1. Now since there's no gun to my head I'll pick a new, more realistic option - the same one all other 'free' countries pick - the one that doesn't end up with cinemas littered with censored films, whatever precise form that takes. Thanks, genuinely. I just don't see either of my two stated options as being realistic, purely because Fox own the film. You mentioned option 1 as the more preferable. But the BBFC lists on their site the reasons why a film met the criteria for being a 15 (or any other rating), so any executive at Fox could make a reasonable guess as to why a 15 certificate was earned, and then change the film accordingly - as is their prerogative. The BBFC has no authority to stop Fox making changes to its own property. As for the potential third option that's sued in other countries, I think this ties in with the comments on here earlier about other countries having poorer certifying bodies. I'm no expert on this, so may well be corrected, but it's my impression that ratings in other countries are a lot broader, rather than the specific 12(A)-14, 15-17, 18+ brackets over here. So if another country gives one of their broad-brush ratings, the impact isn't quite so bad, especially if it's a rating where viewer discretion is allowed. Also, is it not possible that the UK market is big enough that more attention will be paid to the rating over here than in some other European countries by Fox? Again, I anticipate having the actual facts flung back at me! Can't we all just have a pancake and get along? It would be nice to all have a pancake and get along, but there seem to be some egos and tempers around here that react with hostility to questions they struggle to answer. I'm surprised it's taken this long for someone reasonable to appear and actually engage and make some useful headway on this. Yes, I agree that neither of the two options were realistic and I was careful to say 'gun to my head' in case it seemed that I would ever actually pick option 1, as you described it. I certainly wouldn't in the real world. Whatever the certifying bodies are in other countries, I wouldn't describe them as 'poorer'. They do their job as classifiers without meddling in content by negotiating with the studios about cuts. Consequently, the people in those countries don't have to put up with censored films, that's what I would like to see happen here. Exactly how that is achieved needs to be researched, but my strong suspicion is that those countries simply don't offer that 'service' so the studio don't bother asking. They hand in the film and accept whatever the board of that country decides. Once you dangle the possibility of increased profits, with a cuts advice service, to a greedy studio guess what happens... If the BBFC stopped this service and made freedom of expression a principle to be upheld, as they claim they do already, then censored films would start to evaporate from our screens. The studio wouldn't waste time and money fiddling their films to achieve a rating if they didn't know exactly what needed to be cut to get that juicy 12A, it would be too costly a gamble with a release date looming. While the UK market is a significant one, it's relatively tiny compared to other countries that enjoy uncensored material, it's not worth the studio's effort and time tweaking a separate version for the little UK unless they know it'll pay off. The BBFC should deny them that knowledge and just concern themselves with being classifiers, as their equivalent bodies in other countries do.
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