R W
Posts: 268
Joined: 23/6/2006
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Prior to the American operation which led to the assassination of Osama bin Laden, this figure had been depicted and parodied, not least from Family Guy in which Stewie Griffin took down bin Laden and his terrorist group. Even Super Size Me’s Morgan Spurlock made a rather comedic documentary called Where in the World Is Osama Bin Laden?. Originally conceived as the failed operation for the search of bin Laden, but after the events of May 2nd 2011, Kathryn Bigelow’s follow-up to The Hurt Locker had changed direction. Since 2003, CIA officer Maya (Jessica Chastain) has spent her entire brief career focusing solely on intelligence related to al-Qaeda leader Osama bin Laden following the September 11th attacks. In 2011, Maya believes she has found bin Laden in Pakistan. As a lead contender for this year’s Oscars, it is considered the controversial title of the Best Picture category, due to its handling of subject matter involving interrogation and torture. Despite these allegations, Mark Boal’s script wouldn’t bring justice to this story without the torture sequences, which are not glorified but are significant to the character of Maya who subtly shows disgust over her CIA partners torturing and humiliating a detainee with links to several Saudi terrorists. Unlike The Hurt Locker which is a more superior work about the intimate partnership between a three-man bomb squad, Zero Dark Thirty which, although is centrally about a woman’s near-decade search for bin Laden, is more sprawling as it details the CIA’s post- 9/11 operations of which the dialogue is technical jargon. During the first two thirds, the film at times feels like a build-up to the climax that we know how it finishes, but director Kathryn Bigelow keeps the film gripping despite the long running time. If Michael Bay had directed this, the climax would have been a modern shoot ‘em up version of Pearl Harbor, but under Bigelow’s direction, the depiction of the assassination is one of subtlety as there is no music, gunshots are silenced and all the action takes place in the dark. Watching Jessica Chastain’s performance as Maya utterly reminded me of Claire Danes’ extraordinary work in the TV series Homeland, only without the bipolar disorder and sex life. That said, proving that she divulge herself into different roles, Chastain is truly compelling as Maya whose life is defined by her career that is all about the hunt for bin Laden, which brings a darkness to the character that Chastain brilliantly captures. Despite not appearing during the thrilling climax, the final scene featuring Maya having an emotional moment is Chastain at her best. Not quite the (literal) groundbreaker as The Hurt Locker, but Bigelow’s dramatization of May 2nd 2011 and the events leading up to it is a suspenseful, if not too intellectual thriller with a great central performance from Jessica Chastain.
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