KnightofZyryab
Posts: 5767
Joined: 26/12/2005
|
I've lost my list - I'll guess I have to piece it together using my photographic memory ... The Master There were several moments in The Master where I asked myself - what is it I am watching? The film moves at a funereal pace and is an almost circular narrative, with Joaquin Phoenix's Freddie Quell continually returning to Philip Seymour's Hoffman Lancaster Dodd, leader of the movement of The Cause, for guidance. It's an extremely testing film for audiences with several themes woven into it, but ultimately it's an absorbing experience anchored by phenomenal performances. Joaquin Phoenix is staggering - both figuratively and literally - as Freddie Quell, a de-mobilised sailor roving with no purpose in life until he meets the charismatic Lancaster Dodd. His face perpetually twisted into a palsy (perhaps as a result of PTSD from the war), Phoenix plays Quell, an aggressive alcoholic, as a man on a knife edge, forever ready to burst, his unpredictability belied by his drawling, languid demeanor and hunchback posture. As the man seeking to 'heal' him through The Cause's hypnotic processing rituals, Hoffman is similarly fantastic as Lancaster Dodd, the charismatic centrifuge around which people are blindly drawn. In one terrific sequence, a presumably drunk Quell watches on as Dodd sings and dances to an enraptured audience composed in Freddie's eyes of completely naked women. Throughout the film Freddie we assume to be intoxicated, which takes on another meaning here as he sees the level of zealous devotion given to Dodd by his band of unquestioning believers, while he is simultaneously worked upon and indoctrinated by Dodd. The relationship between the two men is fascinating, particularly for Dodd's interest in the forever running, nomadic Quell. We can perhaps understand why Freddie is drawn to the aura exuded by Dodd, but the attraction vice versa is relatively unclear - Quell is an oddity to Dodd, a man completely devoid of purpose where he sees purpose in everything through The Cause. The way Phoenix and Hoffman play off each other is simply brilliant to watch, one constantly pulling away, the other constantly cajoling and enticing. The beautiful cinematography and another magnificent score from Jonny Greenwood (arguably the most unique composer in cinema today) heightens the film's nebulous atmosphere and creates one of the most alien experiences you'll experience in a cinema for a long time. Apt I guess because it will alienate a lot of audiences (probably responsible for the film's poor release distribution across the country) but it's one of the most fascinating, utterly absorbing films I've ever seen.
_____________________________
Imminent viewings : The Place Beyond the Pines Read my blog at: http://alcentrodelaberinto.blogspot.com/
|