porntrooper
Posts: 2509
Joined: 6/9/2006 From: Sheffield
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quote:
ORIGINAL: jobloffski Know what I'd have done (and for all I know, Mendes has)? I'd frame the shot before the trigger is pulled and Bond is hit like the gun barrel sequence, the image being the circle of the telescopic sight, surrounded by black, with the size of Bond and the guy he is fighting matching the size Bond would be in the gun barrel sequence. So it would be a reference to, and reversal of the iconic idea. Normally Bond shoots, and 'blood runs down the screen, the one man, alone, unstoppable, puts himself in the line of fire, looking down the barrel of a gun without fear and such bravado reflects the character, who he is and why he succeeds.. This time, when not on top of his game, and due to the inefficiency of someone else, he takes the bullet. Yay, etc! The moment being whined about was probably at the end of CR because he wasn't OO7 at the start of the film. It was probably at the end of QOS because he was having a meltdown because of the love'betrayal thing over Vespa, He wan't 'Bond' again until the end. And the new film puts his relevance through the mill by all accounts, so once again, it goes at the end once he has triumphed, and then, character building work finally complete, fully fledged Bond, it goes at the start of the next one? Whatever. Start, end, Whatever. I get where you're coming from there, but I don't expect it to be that way in the final film, although I certainly wouldnt hate it if it was. The scene in question clearly (based on the trailer, anyway) has camera shots from 'outside' the gunbarrel during the shooting i.e we're seeing the shooter and she has dialogue with a third party (M) in another location, plus we're seeing Bond falling from the train into the water below. Building the classic gunbarrel (albeit, with necessary changes to include the third party and the unexpected ending of Bond taking the bullet) into that sequence would've been too difficult I reckon, maybe even a little showoff-y? I've always loved how it worked in Casino Royale, and you're right, the gun barrel in the traditional sense doesnt work as Bond wasnt 007, he was only partly on his way to it. As I said before, Casino Royale and QoS both have a feeling of 'Bond Begins' running through them, so once Bond essentially ends the plot strand of Vespa's betrayal at the end of QoS, he is moving forward to be the Bond we know and love, and it feels like the right place to have that sequence then. It felt right. It wouldnt have affected anything in the film if they had thrown it up front and used it to transition to that opening shot over the water towards the mountain road chase. Thematically though, it feels right. Like I say, Casino Royale and QoS are the only two Bond films that felt like the gun barrel was doing more than just holding to tradition. It felt like a considered approach to how that could work with the tone and story of the films. Which none of the other movies have, they stick in in for traditions sake. I'm glad the Bond films are moving away from slavish tradition and using the Bond elements in different ways. Edited for attorcious, lack of sleep inspired spelling....
< Message edited by porntrooper -- 25/10/2012 3:24:02 PM >
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"I've got an idea for a special infiltration technique. It involves draining a man of his blood and replacing it with Tizer."
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