demoncleaner
Posts: 2155
Joined: 3/10/2005 From: Belfast
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Outrageously obnoxious chav cops working in executive surroundings and living in yuppy-ish banker's digs, The Sweeney is like the night nice middle-class boy Michael Mann threw a high school party in his mum's house and watched appalled as the working class showed up. If you like Michael Mann you may bemoan the insult and find this another British embarrassment. If, on the other hand, you find Mann a devoid of anything to say poseur cunt then there might be something sufficiently subversive in Nick Love's film to relish. Since it's clear that this movie seeks absolutely no authentic emulation of real life cops I think you have to judge it on a scale of movieland cop credibility. As it stands I think it's somewhere in the middle, better than a guilty pleasure but too much manchild wish fulfillment to ascend any further. In the production design it flirts with The Dark Knight of all things, while not just content with a Heat flirtation, it actually takes it out onto the street with it's main set-piece and rogers it in full view of the appalled, cuckolded teenage Michael Mann. After a major turning point midway through the sufficiently complex plot takes over, moving in tone from a British Training Day to the hard-bitten action third of the first Lethal Weapon. Despite the seemingly cartoonish argy bargy of Regan and Carter there is a weight of naturalism in the performances that does become more apparent as it goes on. Ben Drew, was a revelation I thought, and he was very convincing in a "movie-cop" role from the beginning. Not bad, but nigh impossible to defend it's flaws. It's as anachronistic at times as Regan. Full of modern visual sass with purposefully throw-back characters who are completely aloof from multi-cultural, recession hit Britain. 3/5
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Just flirting to keep you cheerful.
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