BelfastBoy
Posts: 450
Joined: 30/11/2005
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quote:
ORIGINAL: Gumptionbrash Judging by the comments, looks like nobody's read The Hobbit. If they had then they'd realise that while the book is short, there is an awful lot that happens in it and around it. Plus, you should at least consider the difference in mediums. But no, let's just troll the comments and compare these movies to tripe, because it's funny and it gives my life meaning. Anyway, you have to realise that Jackson and Co will have pored over every page of that book and looked at how they could expand, not just the story of the hobbit, but middlearth and by and large the events leading upto LOTR. "Stretched?" "Dragged out?" "Cash cow?" "Just like Harry Potter?" what a joke... Consider this - when The Hobbit was first published in the 1930s, LOTR was either floating around in Tolkien's head, or existing purely in hesitant draft form. There were no Appendices until 1955(?), when ROTK was first published. My point is that The Hobbit exists as a wonderfully self-contained story, one that can easily be read without any knowledge of Tolkien's wider universe. The story on the pages could easily be made as a single long film, or two shorter instalments if every page and detail is included. The material that will be integrated from the Appendices and used in Jackson's new trilogy is not essential to the plot - sometimes, less really is more. So what if Gandalf disappears for a huge chunk of the book? If you've done your homework, you'll know where he is and what he's doing. To see this all on film is to step into murky territory in terms of scriptwriting, as Philippa Boyens in particular will seize the opportunity to write LOTR as she wants to. (Not necessarily a bad thing, but just more open to criticism as they'll be straying from the defined boundaries of the text. The LOTR Appendices are full of juicy possibilities but Tolkien barely developed a lot of what's in them. They're a framework for the creative stories he actually wrote, so it's like - bear with me - George Lucas coming up with an Indiana Jones story in outline form and handing it over to Lawrence Kasdan to turn into a filmable script.)
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