elab49
Posts: 52031
Joined: 1/10/2005
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quote:
ORIGINAL: AxlReznor I'm one of the few people who actually thinks that Tales From Earthsea is a brilliant film, and totally worthy of Ghibli. It got a lot of shit from the author and fans of the books for making all of the protagonists caucasian in a European world, when they're supposed to be from a world based on the West Indies, but the Japanese don't have the black/white racism stigma over there so I can see why they didn't think it would be an issue. The story itself is great, though, if a little confusing on first viewing. I've only seen a couple of episodes of Paranoia Agent. It was brilliant, but I didn't want to vote for it until I'd seen the whole thing. They do, however, understand racism even if they don't seem to officially acknowledge how bad a problem it is there. Not just anyone not-Japanese (although that seems to be the biggest issue) but linked to that is the apparent treatment of people who are half-Japanese, particularly if the half is black. The reason they could maybe get away with that phrase is the problem seems to be about as bad if the other half is anyone else too! The worst treatment seems to be for other peoples from around the same area. Also, in SKor, Japan films etc black characters are often treated with a casual racism not out of place in a 1930s US film, as if that's just the way it is. 'black-face' comedy happens and it's only become an issue now with the net and a wider net of people seeing it and suggesting that perhaps they might be a tad behind the times in some social issues. I think it was an X factor type show in Korea (possibly 2011 rather than 2012) that had a young girl on it who was half black and some of the stuff that fell out of that was just awful. Which is all pretty off-topic and irrelevant (sorry) particularly as I'd have thought the main reason/excuse for Tales doing it is that so much of their anime has causcasian characters, even if they're apparently Japanese! It maybe just hit worse as it came on the heels of that awful TV thing that did the same thing. I felt the presentation of the story itself was a bit weak, particularly losing focus near the end. It's one I've rarely revisited though. I think his work on From Up on Poppy Hill is much more successful, although I'd probably also have it someway down the rank of Ghibli's. I'm now quite worried about what I missed though - did I remember Goshu the Cellist?
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