KnightofZyryab
Posts: 5767
Joined: 26/12/2005
|
I am still processing/ingesting the colossus that is The Dark Knight Rises (I saw it on Friday even) but here are my thoughts. Fundamentally I thought it was a magnificent film with some truly audacious set pieces, several outstanding performances and an intelligent return to the grand themes which underpinned Batman Begins and The Dark Knight, and as the end of the Batman mythos under Nolan, I was satisfied with the way the elements developed in the first two films were tied up. With each film there has been a modulation in the threat against Gotham and Batman, and Bane was the perfect choice to complete the trilogy - whereas the Joker was bent on causing chaos and playing sick social experiments with Gotham, Bane is intent on staging a revolution with the aim of completely dominating Gotham, whilst bringing Batman to his knees. As the brute force that is Bane, Tom Hardy was superb casting. Although obviously a very different performance to Ledger's iconic Joker, he brings a palpable menace to Bane that makes you really fear Batman won't make it out of this one alive - as he almost doesn't. Much has been made of the voice, and admittedly there were some lines of dialogue I couldn't quite make out, but in reality it's a very minor issue compared to what is an incredible, imaginative vocal performance from Hardy. It's both a metallic, alien sound but with elements of a booming theatricality that reflects Bane's core of belief in unmitigated, colossal destruction. The calmness of his voice during his first confrontation with Batman was truly chilling to hear, especially as we watch Bats have his ass handed to him, and eventually his back broken, following the Knightfall storyline of the graphic novels. That scene in particular is one of the best in the film, with some superb lines uttered by Bane, such as the difference between Batman adopting the darkness, and Bane being born in it. Along with Hardy TDKR possibly boasts the strongest accompanying ensemble out of the trilogy. Perhaps the standout among many great performances is Anne Hathaway as Catwoman, who captures the moral dualism and edge of misanthropy in Selina Kyle brilliantly whilst bringing a dry humour to the role which provides for some delightfully prickly scenes between her and Bale. In short, it is refreshing to finally have a strong female performance in the trilogy, and ultimately the most interesting one since she reflects Bruce Wayne's duality much closer than did the relatively bland Rachel Dawes. Along with Hathaway I was really quite impressed with Joseph Gordon Levitt as Blake, whose idealistic 'hot head' is a mirror of Bruce Wayne's tragedy, except born into drastically opposite circumstances. I thought his first scene with Bale was superbly written and acted, and the line about Blake knowing who Bruce Wayne really was because of the visage he wore when visiting the orphanage was memorable and hugely emotional. As with BB and TDK, Michael Caine as Alfred is the emotional backbone of the film and delivers some truly heartbreaking lines - his departure from Bruce midway through the film was simply beautiful acting between the two. Morgan Freeman and Gary Oldman provide reliably strong support although Gordon is given less to do this time around and is less central to the plot than TDK, but as events come full circle the plot strand built up in the second film about deserving and necessary heroes is concluded with pathos as the Commissioner unveils the eulogised statue of the Batman - a concretisation of the symbol intended to inspire the people of Gotham. Throughout all three films I loved the way Nolan interrogated the meaning of legend in the collective imagination and progressively layered this theme, and for anyone who has read the graphic novels it shows a respect for the kind of questions posed within the source material. Nolan should be applauded for spectacular, mould breaking cinema but also for having the audacity to push his audiences more cerebrally. Related to this Bane's motivations are interesting for the (intentionally or not) modern echoes of social upheaval, wealth divide and people's revolutions - it's a still a moot point for me how to take these references, but I'll say that it's lazy to slap on a fascistic interpretation of the films because the films are really not that simple. I'll have more to say on this once more people have seen the film (I need a rewatch!) but it's why I find Nolan's films fascinating - more often than not they are bursting with ideas. As for weak points the Miranda Tate is Talia al Ghul twist was one I anticipated but disappointed by in the end; the character needs more than half a film for development and to pull out a volte-face at that particular point in the film was a misinformed decision. Marion Cotillard is a good choice but if the twist was envisioned earlier in the series it should have been developed earlier, maybe in Begins, and as it occurs it just feels like a late, cheap parlor trick (I realise a lot of people have tried to paraphrase this line into their review ). Another thing which was a slight departure from the Nolanverse I thought was when nuclear bombs got involved - that all seemed very Marvel (no offence, I loved Avengers Assemble) to me, especially with Batman going on a suicide mission to drop the bomb over the ocean. Elsewhere Bane's death was a throwaway and I felt that the threat was doused even if Talia was still hell bent on blowing Gotham to ashes - I would rather have seen Batman end the Bane threat by forcing Bane's submission rather than watching Talia die. Regarding the ending I thought it was apt if not a bit set up - I agree however that just having Alfred acknowledge someone in the distance would have been confirmation enough rather than actually showing Bruce and Selina. The other pieces were already there with the Bat signal and autopilot in the Bat fixed. Having seen the film in IMAX it's inescapable that I should mention the sheer impact of seeing TDKR in the ultimate format - for the reason of medium alone it was possibly the most memorable cinematic experience I've ever had, and if the action was spectacular in its own execution, it was amplified both visually and sonically in IMAX. The opening chase on the Batpod was an exhilarating experience alone, Bane's voice sounded incredible and Zimmer's score pulsed like a cannon throughout - although is possibly overused at times. I accept that there are flawed moments in the film, but similar to some others on here for me the strong points vastly overwhelm the minor imperfections for me and all in all I thought it was a tremendous film, right by the benchmark set by the previous two films.
_____________________________
Imminent viewings : The Place Beyond the Pines Read my blog at: http://alcentrodelaberinto.blogspot.com/
|