ElephantBoy
Posts: 7401
Joined: 13/4/2006
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quote:
ORIGINAL: Prophet_of_Doom quote:
ORIGINAL: Coyleone He's amazing, and the most exciting director working today imo. Pusher is a really great, gritty and realistic crime movie, and it's amazing to see his progress since making this. It's simple with an almost documentary style, and seeing him evolve from that to the uber stylized films such as Bronson and Drive is amazing (I haven't actually seen Bleeder or Fear X). His english language films are all amazingly edited and framed, every shot looks beautiful. His use of violence is incredibly effective, he just knows how and when to use it to generate a reaction, and it never feels out of place. His use of music is also brilliant in everything I've seen. Amazing talent that seems to just be getting better. Bronson is a great character study with a powerhouse performance from Hardy. Valhalla Rising is great, it's slow paced and I can see it being pretty divisive, but I loved it, and again it looks beautiful in every shot and the use of violence and music to build up tension or atmosphere is only surpassed by Drive, which is a masterpiece and one of my favourite films ever. Only God Forgives is my most anticipated movie for quite a long time. This is the only bit I'd disagree with. In both Drive and Valhalla I thought the violence was completely out of place and bordering on the cartoonish. I completely understood the reasoning behind it, but to me (and of course, it's all about personal preference) it felt almost college studentish. In the way that so many graduates seem to make a horror movie for their first film (cheap and easy I suspect with a guaranteed audience) and invariably the intention is to have as many ridiculous gross-out moments as possible for no other reason than they can. But just because you can, doesn't mean you should - and I think this is what Refn needs to learn. I can't remember the last time I have been so drawn into a film as Drive (and I was watching it, while working on a deadline at 3am!) but the moment 'that scene' took place, I was just taken completely out of the film and actually just wanted to rewind and see how they had done it. In the same way as when you're watching the famous leg-crossing scene in Basic Instinct, you're not drawn into Catherine Tramell's world, you just think "hey, can I see Sharon Stone's moo, moo?" before rewinding to check! I found the violence in Drive very shocking, which was the point, and felt it came out of nowhere because it was showing the Gosling character as like a machine who could suddenly turn when things got desprate.
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