Filmfan 2
Posts: 973
Joined: 30/9/2005
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SPOILERS AFOOT!! So, Abraham Lincoln: Vampire Hunter. I had gone into this expecting an hour and a half of a escapist fun. I know that kind of defence of a movie 'but it's only a bit of fun' is the last resort of the scoundrel, but it can be warranted. Such movies, mostly high-summer Hollywood fodder, are possessed of at least some redeeming features that make up for the general naffness of the film, but I'm afraid to say that this flick is not one of them. Timur Bekmambetov is a filmmaker who is increasingly disappointing me as he increases his canon. His breakout movies that put him on the map, Nightwatch and Daywatch were a genuine breath of fresh air. They had a lovely visual sense to them that equaled, if not surpassed, what bid budget American movies were producing, and he married that with a compelling story. There were flashes of brilliance as well, with animated sequences that were very Eastern European, and the overall result felt that a new talent was emerging that would bring much to the table. It's obvious that he was influenced by American movies and his making movies in that system was inevitable, but any initial promise seems to be ebbing away. AL:VH is hopeless on pretty much every single level. The characteristion of Abraham feels weak, and all of the other great deeds of that man feel utterly tacked on just to fill up the screen time between him cutting vampires to pieces. Most of the 'best stuff' when it comes to his slaying is already available for you to watch for free in the trailer, and it very quickly becomes very boring indeed. The di(re)alogue is filled with with lots of fortune-cookie wisdom and platitudes, and all of the red-herring actions of a few of the supporting players stand out a mile. I second-guessed pretty much everything that happens in this film, as it's filled with hackneyed, seen-it-all-before storytelling tropes. The action tries to be bold and move into new ground in places, like during the fight that takes place during a horse stampede, but just like the dialogue it has a real whiff of seen-it-before, and it sucks any kind of excitement and/or tension out of the set-pieces. The best thing about the film is Ben Walker, who does as much as he can with the little that he has to play with. As the Empire review says, his resemblance in the movie to Liam Neeson is startling, and if anyone is ever looking for someone to play a young Liam in a lesser role, they wouldn't have to look far. In fact it's a movie of lookalikes, with Jimmi Simpsom, who play Joshua Speed, bringing to mind a young James Spader. That aside, however, the likes of Marton Csokas and Rufus Sewell phone it in, and their deaths are as utterly forgettable as they are shite villians. "NNNNNNNNNNNNNNNNOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO!!!!!!" It's what Lincoln yells as Speed is killed by his nemesis, Adam. It raised a few laughs in the viewing I was in (myself included), and it sums up perfectly everything that is wrong with this film; it's derivative, hackneyed nonsense. Like Empire said, if the film had more of its tongue in its cheek, this could've been a lot of fun. However, with a po-faced approach to everything, not to mention the lacklustre action and phoned-in performances, this is never anything less than a steaming turd of a movie. 3/10. P.S. Always nice seeing Mary Elizabeth Winstead on the silver screen. P.P.S - The 3D in this is not needed at all, and looks terrible in places.
< Message edited by Filmfan 2 -- 22/6/2012 2:01:51 PM >
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I am not drinkin' any fuckin' Merlot! "All I wanted me was a piece of cornbread, you motherfuckers!" Defender of all things Batman Begins
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