jobloffski
Posts: 1837
Joined: 30/9/2005 From: elsewhere
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ORIGINAL: scary_ice quote:
ORIGINAL: jobloffski Pretentiousness subroutines engaged... quote:
ORIGINAL: Mr E Alien is my favourite film and I was so disappointed with this utter turkey of a film I just had to write some thoughts. This is not much of a review more of a list of all the bad points in this film. Quite honestly there aren't many good points. [WARNING - MAJOR SPOILERS] BASIC FLAWS: - Not scary at all, a complete lack of tension and suspense. In Alien the edge of seat suspense was non-stop. every alien film has a different tone to every other one, and I felt a sense of foreboding and wondering what was gonna happen when it kicked off. Horses for courses. Alien is set on a mainly totally enclosed environment, this one has massive clear vistas the narrow and tone becomes more chaotic and fractured the more the film goes on. Big massive hopes, with the walls closing in as the film goes along depicted via the camerawork alone. Style matches content, - Awful characters, clichéd sci-fi stereotypes. Too many characters most of which were just plot devices waiting to die. somewhat necessary to the genre staples, with the wider themes being expressed in a simple context./color] - Muddled and confusing storyline. It tried too hard to be an original concept with deep, meaningful questions about our creators and where we come from blah blah blah whilst also trying to be a horror film/prequel to Alien. It failed and couldn't decide what it wanted to be. your opinion. By choosing to call the film Prometheus, Scott has invited us to look at that myth and compare/contrast how that story relates to aspects of the film and that provides the 'depth' of the film. I mean, for example, Prometheus is subjected to repeated and extreme abdominal agonies, part of him being torn out for seeking to align with/be equal to/discover the knowledge of his Gods, and Shaw, in wanting to stand next to her 'Gods' and find answers is being 'impudent' from a God's point of view in such a context and what happens to her? Extreme, repeated abdominal agony and something torn out of her. My own pretentious (if you like) take on any story designed to have 'levels' is to say shite like 'Look at a puddle. depending on how you look at it, you may see just the water it's made from, you may see a reflection of yourself, or you may see the entire sky. Either come up with something completely original that is not connected to the Alien universe in any way or do a full blown unpretentious Alien prequel with a direct link between the space jockeys and the eggs/face huggers/aliens/queen alien etc. There was no need for this awful film to be connected to the alien universe and it may have slightly improved had it not.given the evolution of the ooze into worms, bigger worms, etc, all the way to proto Alien, it could have existed as a stand alone story giving a 'what happens next ending, with the evolution to the alien we know yet to come or as a direct prequel, to me it does both OTHER FLAWS: - Bad dialogue. 'You wanna get laid?' scene - Absolutely no need for this scene between vickers and janek. Added nothing. Film themes creation/birth/survival/creation driving everything a species does, so referencing sex isn't THAT odd and given the debate over whether Vickers is a robot, this would seem an attempt to confirm that she isn't (but it foreshadows the 'cant believe I nearly fucked a robot from Resurrection so it serves a function in it's film, references another part of the franchise AND doesn't settle the 'is she a robot' debate because in the later film the concept of robots being able to have sex is floated. Also unfunny banter between two unnecessary co-pilots. lame but not ruinous David talking to big white engineer in alien speak - probably one of the most unintentionally hilarious things I've ever seen, space jockey then rips his head of for no reason. Brilliant! Not. Tons of other examples I can't be bothered to list. There is a reason. David is attempting to speak to it in its own language, and it considers David beneath him. Not only beneath him, beneath the Engineer's creation too, a HOW DARE YOU ADDRESS ME reaction (lame comparative, geek tries to talk to 'cool kid', geek gets punched in the face for daring to believe he is worthy. Anyway, the created trying to speak to/be equal to the creator and getting punked by the creator is the theme, and this bit is the theme in action: someone wishing to align himself with 'God' and 'God's' reaction all in one brief moment - Space Jockeys looked awful. Turns out they were just wearing suits and are actually just big bald pumped up white guys who like to throw people about. Giger must be laughing his head off. .physically superior 'gods' who wont lower themselves to talk to their creation,also frankenstein theme in reverse (kill your creation or it will kill you) the tension between creation and destruction depicted - Score. Contributed nothing to the film. Created no tension whatsoever.that's just an opinion, if the events left you cold, the music would jar, whatever it was - Turns out Weyland is still alive and onboard the ship. It's supposed to be a shock twist but no one cares. Guy Pearce is cast as Weyland and wears the worst make up known to man. former, it's not that much of a surprise that he's on board (the 'recording' of Weyland would be very weird if he wasn't on board to point to exactly where Shaw and her other half were standing. The make up sucks, and hopefully there is some reason for casting Guy Pierce in the role, but can forgive the make up, personally - hated the way most the crew didn't no what the mission was until they got there. Unrealistic and downright bad writing. totally realisitic, in a company/organisation/life people very often know the ins and outs of their 'superiors' big picture plans and just do the job/thing they do. Vickers considers Shaw and employee, for example, and therefore not worthy of being treated as an equal. Also, those 'above' us having information/knowledge we don't have and attitudes to the 'unworthy' re knowing this stuff is totally in keeping with the Prmoetheus God/those the gods create themes And finally to sum up... Stupid black goo spills out of stupid vases. Stupid character gets infected with stupid black goo because stupid android put it in his stupid drink. Stupid character makes love with stupid Ripley wannabe. Stupid character gets torched and dies. Stupid Ripley wannabe becomes pregnant. Stupid Ripley wannabe cuts out stupid baby squid from her tummy tum tum. Stupid squid turns into stupid giant squid which impregnates stupid big bald white space jockey. Stupid alien rips its way out of stupid space jockey's chest. Stupid film ends. Stupid film makes no sense. clearly it does make sense, since that's what happens, aside from the opinion that it is all stupid and happening for no good reason I appreciate your analysis of the themes and how they fit in with the story of the original myth of Prometheus but to be honest if the story doesn't do it for you on the most basic level then you aren't really going to be encouraged to dig deeper and engage with the deeper layers are you? Nobody tells their mates "I saw a film last night where the themes were fantastically well implemented and the symbolism was ever so clever. You should check it out!" And the referencing of other Alien movies was one of the problems for me. They kept telling us it wasn't an Alien prequel only to reference it at every opportunity! Well, I anticipated the film being called Prometheus for a number of reasons, including the use of archetypes representing aspects of human folly writ large, so I had no trouble at all with the characterisation from the off. Every Alien film has different characterisation styles, and there is certainly contrast between the working class joes characterisation of Alien and the 'experts in their field' in Prometheus. My dealings with 'experts' make it entirely acceptable to me that when confronting something beyond their expertise, experts in this film reveal themselves to be as fallible as anyone else (even moreso, because being an expert in one thing can make people arrogant enough to believe themselves to be cleverer than they actually are, and thinking that is what makes people do things that are patently stupid). I expected a certain kind of viewing experience, and I got what I was anticipating, which was not a film that would answer everything it set up, but one that went at 'play with fire, get burnt/curiosity killed the cat' from narrative, visual and thematic angles. Maybe I'd have reworded a few lines to make them a little less 'you can type this shit but you cant say it' (for example 'It's what I choose to believe' could have been rejigged to 'I'm taking a leap of faith' and that brings the religious and scientific perspectives together in one line, because all attempts to discover something/go out on a limb in any way require leaps of faith and you can take a leap of faith without faith seeming so much like the total naivety/mere hope the actual line made it appear to be), but I'm happy with the film I saw, even IF it seems to others I'm talking arse
< Message edited by jobloffski -- 18/6/2012 3:15:07 PM >
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Yes, dreamers dream and doers do. But if dreamers DON'T dream, doers don't have anything TO do. Everything that is only here because people exist, only exists because someone thought of it., or in other words, dreamed it.
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