horribleives
Posts: 4178
Joined: 12/6/2009 From: The North
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ORIGINAL: sharkboy quote:
ORIGINAL: horribleives To go back to the original topic: I'm still flabbergasted that American Music Club were never as big as REM or someone and that ony a handful of obsessives and '80s/'90s rock critics have ever heard of them. As well as being possibly my favourite lyricist ever, Mark Eitzel has a voice that is one of the most beautiful things I've ever been in the same room as. American Music Club absolutely deserved to be global on the strength of Everclear alone (though I probably prefer the Engine and California if I'm being honest), and Eitzel is right up there with Mark Oliver Everett as one of the most under-rated lyricists to have come out of the good old US of A. Given the press attention and critical praise that Everclear received at the time, I've often wondered what stopped them from reaching the same heights as REM. Out of interest, what do you think of the post-reformation albums? I really like them both, though Love Songs For Patriots just about edges it. There's the odd pedestrian moment on The Golden Age but the good stuff (All My Love, The Stars, One Step Ahead and - especially - Windows On The World) are some of the best tracks he's ever written and one thing it has going for it over LSFP is the decision to put Vudi's guitar upfront. Having said all that, I think his last solo album, Klamath, was maybe even better than both - it was certainly the darkest record he's made in years. Speaking of which, Eitzel said recently that he'd only do another AMC album if Vudi was involved but apparently on his down time he drives a bus and is quite difficult to track down. Which is a shame.
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www.hollywoodunbound.co.uk - some nonsense about alien film directors and musclebound man-children.
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