R W
Posts: 268
Joined: 23/6/2006
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Back in 1996, horror legend Wes Craven redefined the genre with his postmodern slasher Scream, which at that time was a current statement about what’s both good and bad about the genre and in particular the teen slashers of the 1980s. Nowadays, a lot of today’s horror flicks consist of remakes (Let Me In), torture porn (Saw) and found-footage (Paranormal Activity), with the extra ingredient of 3D. So as a response to this current trend, despite being made in 2009 and now finally released, Cloverfield writer Drew Goddard makes his directorial debut which is instantly a front contender for “horror of the year”. To you readers, I shall try my best not to reveal any spoilers due to the numerous twists throughout the film, of which the less you know about it, the better; although the trailer and TV spots do reveal some of the surprises. In typical horror fashion, five friends go for a break at a remote cabin in the woods, where they get more than they bargained for and together, they must discover the truth behind the cabin. On the basis of the above synopsis, you will notice the influence behind the film which is Sam Raimi’s debut classic The Evil Dead, which followed the same premise of five friends staying in a cabin in the woods, where lies the Book of the Dead and then gore and hilarity ensues. While one will see this as a postmodern discussion on horror, The Cabin in the Woods is unlike the aforementioned Scream as if you are familiar with co-writer Joss Whedon’s back catalogue such as Buffy the Vampire Slayer, he played around with the different forms of the genre as the eponymous Buffy Summers fought a variety of enemies, and yet successfully blended humour. In the case of Goddard’s film, it shares some of Buffy’s ideas but manages to establish its own direction, as the director clearly knows the genre on an international level, such as humourlessly referencing the J-horrors of Ringu and Ju-On: The Grudge. Although it’s not particularly scary as there is a level of generic horror, the five clichéd protagonists (including the blonde bombshell, Thor’s Chris Hemsworth as the hunky athlete, Dollhouse’s Fran Kranz as the pot-smoking fool, etc.) are so likable that whatever terror attacks them, you are engaged in their conflict while laughing at the chaos, of which goes completely bonkers in the film’s last twenty minutes. Despite its delayed release, The Cabin in the Woods is an exhilarating thrill-ride that has something to say about the horror genre and honours it. Strange and humorous in its twists and turns, Drew Goddard’s near-masterful debut is on a par with Evil Dead II.
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