thebackseatdirector
Posts: 9
Joined: 9/3/2012 From: London, UK
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We’ve been taught to see the well-spoken, smiling man on death row as our beat upon, down-trodden hero, and after opening with this tried and tested device, Herzog yanks us back to the crime scene and the hero’s utterly depraved and senseless brutality. So far, so new, fresh and daring; but then, twenty minutes into what could have been an incredible film, he starts meandering through the wider story, of one of the killer’s incarcerated father, whose regret and life-saving courtroom plea proved the difference between life and death row, and of the town full of white trash with their own drunken bar fight war stories. It all gets a bit muddy and unfocussed.
< Message edited by elab49 -- 31/3/2012 6:15:04 PM >
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