chambanzi
Posts: 441
Joined: 31/8/2010
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96. Nights Of Cabiria (1957) Director: Federico Fellini ‘Nights of Cabiria’ presents the most bizarre opening to a film I have ever seen. Two lovers run hand in hand down a grassy bank, they embrace as the man swings the woman around playfully. Next they go to stand by a river as the woman excitedly swings her purse around, the man grabs the purse, pushes the woman in the river and legs it. This scene marks one of many ordeals this young woman endures and all are humorous, as an audience we can’t help but laugh as the heart-breaking story of prostitute Maria Ceccarelli is unfurled. It is with dramatic irony that we view a naive Maria, who seemingly finds love and acceptance yet is repeatedly and subsequently made a fool of. A key scene sees Maria beaming with joy, finally believing she has ‘made it’ as she dances in one of Rome’s elite and fashionable nightclubs. She dances excitedly like a child oblivious to the impression she is setting while dissolving our expectations of how a prostitute would act. Giulietta Masina’s performance is exceptional, we feel the character’s humiliation as she is hypnotised into acting out her heart’s longings, and we feel her hope as she attends a religious festival. The ending scene has garnered the most praise, for me it simply reinforces Maria’s nature as a person who soldiers on fighting for something better. She is the complete opposite to a character such as Crocker Harris from ‘The Browning Version’ in that despite the hardships inflicted upon her, she still remains optimistic in her life’s journey. This endearing nature makes us respect Maria despite her seemingly poor life choices. Despite a reputation amongst inverted snobs as making pretentious cinema, Fellini’s ‘Nights of Cabiria’ is perhaps the least self-righteous and warmest film you could see.
< Message edited by chambanzi -- 2/4/2012 9:46:07 PM >
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