OldGrey
Posts: 439
Joined: 4/2/2006 From: Somewhere between a rock and a hard place.
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quote:
ORIGINAL: elab49 quote:
ORIGINAL: OldGrey Personally, I just cannot balance story telling with the sudden desire for characters to break into song for no apparrent reason, no matter how good the stars or direcors may be. I am a pretty open minded chap and will go with most plot ideas if properly introduced, but singing a story along ? Why ? I am also confused as to why perfectly good actors suddenly feel they have voices worthy of song just because they are in a musical, some actors can sing and 'tother way around but that is the exception, not the rule ! But isn't there a difference between your personal opinion that you don't like musicals - fair enough - and the idea they aren't suitable for films? Given they don't explain the singing on stage either, the medium isn't really relevant, I don't think, to your problem with them. But both lines of thought are my personal opinion , others may think differently but I don't really see a diffference, in my eyes it doesn't work. When recruiting for the stage on a musical, if you can't sing, you rarely apply and would hardly ever be considered. In a film, it really doesn't seem to matter if you sing like my drunken tone deaf Auntie, which, I think, goes some way to tell you how important the musical aspect really is. The stage is limited by it's physical size and the medium of song is often used to expand the audiences perception of time or location, memory etc. The medium of film suffers no such problems because it has no limit on scope and therefore has no real reason for abusing song at all . . . . . in my opinion
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A critic is a man who knows the way but can't drive the car. "Oh, he's very popular Ed. The sportos, the motorheads, geeks, sluts, bloods, waistoids, dweebies, dickheads - they all adore him. They think he's a righteous dude."
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