adambatman82
Posts: 11156
Joined: 15/12/2005 From: Sheffield
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For me any issue with scores usually derives from directorial intent. If a film had a pre-designated score put in place by the filmmaker then I'd consider it kind of blasphemous for someone else to come along and add their own score. If there was no score, ala the Keaton film, or the Chaplin Keystones or something of that ilk, then I don't particularly mind who does what with it. Polite protocol suggests that music of the period is preferred, but I'm not *that* hardline (although I know some who are!). Besides, it is really nice to see a film accompanied live, and if you get an impresario like Neil Brand involved then there's generally very little to take issue with. There are cases when a programmer or curator has taken liberties with films that do actually have scores that I've been impressed too. I once saw Vampyr, a film which actually has dialogue, with an original accompanied score, which drowned out said dialogue (which is minimal anyway, but still), and I really loved it.
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