knutwolf2002
Posts: 2
Joined: 24/3/2009
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Since I can understand (but not speak) Swedish, have read the novel, and have seen both movie versions I think I have a valid voice here: Cons: One thing has to be said about the accents: The accents were a bit all over the place (Rooney Mara's and Stellan Skaarsgård being two of the best, Geraldine James' being the ABSOLUTE WORST) and is somewhat distracting at times. Not to mention muddling up the dialogue. With a largely English-speaking cast they should have opted for a neutral british accent. I think Daniel Craig's and Moa Garpendal's decision to just play it straight in terms of accent (e.i. british) was fine, and should have been done with the rest of the cast as well. Would have been a lot less annoying. As for the film? Brilliant, elaborate, dark, complex, straight-forward. I have to say that David Fincher did a solid job. I was worried that cultural aspects of Scandinavia would be over-explained/emphasised/mocked, but apart from one - maybe two - IKEA references this was adapted in a very, well, straight-forward manner. Perhaps a little bit _too_ straight-forward? Do not see this film expecting stylish Fincher work a la Fight Club or Se7en. As a matter of fact: do not expect any noticeable Fincher fingerprints at all. As the movie rolls on I caught myself thinking "Wait! I'm watching a Fincher film! ...right?" This did smack of director-for-hire. But this restrained approach did serve the story well. A lot of information has to be processed in the 2hr30min span of this film (and still a lot was skipped from the novel). There are moments in the Swedish version that had more of an edge to it: the climax in Martin's basement, Lisbet's encounter with the thugs at the subway station, Mikael's realization of Lisbet's savant abilities. Although dealt with here the Fincher version is more of a rat-tat-tat-tat stream of info/cuts/expositions leaving the audience somewhat indifferent/uninvolved. This version is somewhat... colder, lacking the atmosphere, build-up, and gradual reveals of the original. Pros: In an era where Hollywood remakes are re-adapted to be set in the US, it is a bold move for Sony/Columbia to stick with the Scandinavian location. This was a brave move. This film also assumes its audience is intelligent. That we actually care about Swedes killing each other. It is an elaborate plot, and rewards that you pay attention to detail. Rooney Mara does an amazing job. Different from Rapace, but somewhat closer to what I imagined when reading the novel. It was easy to forget Rapace as the film moved along. Craig was a somewhat odd choice. Still not sure what to say about the casting of him. He does a solid job, but is he Mikael Blomkvist? I think EMPIRE is correct: ***** for the original Swedish version, **** for the Fincher version.
< Message edited by knutwolf2002 -- 27/12/2011 1:45:17 PM >
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