Rhubarb
Posts: 24398
Joined: 30/9/2005 From: No Direction Home
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01 Farmer in the City (Remembering Pasolini) (Walker) Here we arrive at the end, and at the top spot, it is that most magnificent piece - the opening track to Walker's seminal, game-changing, career-rescuing Tilt. Tilt has a reputation for being difficult, scary, noisy and horrid. At times it is, though it is an incredible piece of work. Most incredible of all is its opening track, a dark, brooding, atmospheric, chilling piece of work. As the title suggests it is a tribute to the late Italian filmaker/poet/artist/thinker Pier Paolo Pasolini (influence on numerous others, including Morrissey, whos biggest chart hit to date references him too) who's outrageous work and obvious homosexuality, coupled with his commie leanings did not go down very well in super-Catholic Italy and eventually led to him being killed. Walker's song appropriates English langauge translations of (sound familiar, by the way?) Pasolini's poem One of the Many Epilogs, which was written for his protogé Ninetto Davoli (who appeared in a few Pasolini films, he's pretty brill in the patchy Arabian Nights) who was 21 when he was drafted into the Italian army (which is apparently where Walker's "chorus" to this song comes from). There is something so powerful about Farmer in the City, it moves me in the same way as It's Raining Today does. It is obviously less obvious than anything that had come previously - its left field even compared with Climate of the Hunter, but it is an incredible breath of fresh air, and it is comfortably the most accessable track of the supopsed "difficult" Scott Walker era. What is interesting about it is its unlikely influence. It came out in 1995, when britpop gooning (I like britpop gooning, incidentally) when at its absolute zenith, and yet both Damon Albarn (who did a tribute cover of this song live) and Jarvis Cocker have both expressed hearing Tilt and taking a good long look at themselves. Both headed straight into their darkest periods right after, not coincidently, with Blur's moody anti-fame self titled followed by the heartbreaking and "diffcult" album, 13, while pulp produced the astonishingly dark This is Hardcore which features songs comparing fame to porn stars. Walker could have taken the easy way out, and reformed the walker's and traded on Britpop's 60s retro look, but he didn't, and instead managed to shape the next batch of classic british albums. Not bad for a man who hadn't made a classic album in 25 years. Find it: Opening Tilt Hear it: http://www.youtube.com/watch?v=zIJzTWk6bSw
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Team Ginge WWLD? quote:
ORIGINAL: FritzlFan You organisational skills sicken me, Rhubarb.
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