britesparc
Posts: 1968
Joined: 3/10/2005 From: Manchester
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The similarities between Syriana and Traffic are almost overpowering. For a start, it's written and directed by Traffic scribe Stephen Gaghan; it borrows Traffic's episodic structure, with a number of disparate stories briefly intersecting; and it throws its spotlight on a dark and shady aspect of America's socio-political life, one the powers that be wish to keep buried. It's not quite as successful in its aims as Traffic, however, and some of that may be down to Gaghan not being quite as big a talent as fellow Steven Soderbergh. It never quite grabs as thoroughly as Traffic did, with only some of the stories having the same emotional intensity and dramatic oomph. Some of the characters seem flat and underdeveloped; some of the subplots don't really grab you; and sometimes it seems frankly slow. However, let's not escape one truth: this is a powerful film. George Clooney certainly deserved his Oscar for his portrayal of disillusioned CIA man struggling with double-crosses, victimisation and the sins of his past. His is far and away the most gripping, and the most damning, story. The other tales, though less powerful, still reveal poignant and disturbing truths about the oil business and American foreign policy: the idealistic prince whose desire for reform is not in America's interests; the troubled analyst with a young family to protect; the conflicted lawyer investigating murky deals; and the dispossessed immigrant drawn to extreme teachings. Although the religious fundamentalist plot line is as predictable as it is inadequately written and staged, all of these plots draw together towards the climax, and explode in sometimes surprising and tragically devastating ways. The film has its flaws, true enough, but the quality performances and sheer power of the story pulls you through. The darkness the film dips its toes in is surprising, especially for what is a mainstream American movie starring two of Hollywood's biggest stars (okay, pointy-headed liberal stars, but can you imagine this movie coming out two years ago?). It's a brave, thought-provoking and rather disturbing film, and it's Gaghan and his cast's belief in the power of their message that prevents the film from slipping into an issue-of-the-week TV dramatisation of the problems in the oil industry. Top marks for effort then, but we must deduct a couple of points for execution.
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