Spaldron
Posts: 10487
Joined: 6/10/2006 From: Chair
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quote:
ORIGINAL: horribleives quote:
ORIGINAL: jobloffski quote:
ORIGINAL: Spaldron No Venkman = No Point. The role of Venkman was originally written for John Belushi, and that of Louis Tully for John Candy. Written by Dan Aykroyd, and subsequently written by Harold Ramis. Winston was originally envisaged as Eddie Murphy. Things turned out differently of course, but to say no Venkman (ie murray) = no point is to underplay the number of non Murray elements required to make the films work. There are many ways the Venkman spirit could be created for the film, including creating a character that is him in all but name, or having Venkman as a ghost (visually resembling or even as a cloud of smoky type stuff apparition, a half arsed not ully forming apparition, provoking lines about how 'you never really committed to any thing, did you Venkman/the spirit of Venkman engaging with events unseen, allowing a riff on the 'Venkman! Venkman! lines from Stantz). If a good enough script can be written, a good enough film can be made. That's the bottom line, and perhaps Danny Boy should concentrate on writing the best script possible rather than all the tease, so that the first stage of the process is complete and there's something to say to enough of the people who have a say/influence we HAVE to make this. Hint, what he is talking about in the article should go in the bin, right now. Do not make a passing of the torch movie. Continue or reboot, under no circumstances make a halfway house movie designed to create future sequels. One more spin for the boys, then if you must, reboot. Hell, just have Venkman turn up as having posessed someone, complaining about how he died or something. start the film with Younger Ghostbusters having already taken up the mantle, have them not make it past the opening sequence, and the kick off point being...NOW who are we gonna call...opening title seqence then being a montage of 'where they're at' for the older Ghostbusters, ending with them in situ, on the job and no screen time wasted in bringing the team back together. Or whatever. Ideas are aplenty for the franchise. Do it, and get on with it! Of course it could all go wrong,but it could, possibly go right. And surely that overplays the chances of those non-Murray elements being any good? Since Ghostbusters, he has given countless brilliant performances in a several amazing films and continues to to this day. Ramis has made one masterpiece and numerous clunkers (said masterpiece just happening to star Mr Murray), Reitman churns out the empty work of a tired anonymous hack, and Aykroyd (always the weakest link anyway) is a fat unfunny cunt. Bill was the best thing in Ghostbusters and the chief reason it rocked. To push ahead without him makes no sense and smacks of desperation. This ^ Sorry jobloffski but your argument that we can have a "Murray-esqe" element without Murray makes no sense. The reason the original film works so well is the chemistry between the characters, Murray fitted in perfectly with that. I'm well aware that the part was originally for Belushi but in all honesty I'm not sure Belushi would've been right for that part. And besides we wouldn't have gotten Slimer if he hadn't OD'd.
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And I heard a voice in the midst of the four beasts And I looked and behold, a pale horse And his name that sat on him was Death And Hell followed with him.
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