RhysEdwards
Posts: 4
Joined: 7/11/2009
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Gleeson, as always, is a genuine pleasure to watch, spouting out quotable lines after quotable lines, and manfully establishes himself as one of the finer talents in black comedy. The script is excellently written, with more comedic musings and material than In Bruges, whilst In Bruges may have better set pieces, I enjoy the delightful back and forth in the diner between Gleeson and Cunningham. It gave me a flashback to Heat, with De Niro and Pacino squaring off, with all their heart and soul bared and committed to the job. This juxtaposed nicely with the fact that Gleeson seems like he couldn't care less and didn't really want to be involved, and the criminal in this case isn't exactly fully invested either. Less philosophical musings, more light-hearted conversations about song-meanings, and pure genius. I have to say that when I watched this I was most interested by Mark Strong, who seems to have somewhat of a penchant for playing villains, but in this, every time he is on screen he is a delight to watch, spouting out verbal abuse to the cops who are obviously in over their heads "Yeah, I skimmed a couple of grand off the top." All in all, an excellent film, the funniest I have seen all year, and on a par, if not more enjoyable than In Bruges, which we shouldn't really relate it too as they are one off, but it is hard not to draw comparisons. But I will contend In Bruges still has the best line ever: "YOUR AN INANIMATE FUCKING OBJECT!!"
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