adambatman82
Posts: 11156
Joined: 15/12/2005 From: Sheffield
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Copy and paste of my review. I liked it, thought it was inoffensively entertaining. - MORE BRIGHTEST DAY THAN BLACKEST NIGHT: A REVIEW OF GREEN LANTERN Growing up, as a 13 year old obsessed with American culture, the pre-digital Hope Lies at 24 Frames Per Second sought solace in a medium then far removed, yet now inherently connected to the movies; the comic-book. Alongside a screening of Martin Scorsese’s Goodfellas at an irresponsibly young age, it wouldn’t be an exaggeration to say that the worlds of Marvel and DC (and to a lesser extent Image) shaped my appetite for narrative fiction in a very important way. Alas, the days of Ben Reilly, multiple Supermen (in the wake of the death of Kal-El) and Heroes Reborn are now looked back on with ridicule and woe, but they still hold a special place in my nostalgia-ridden heart. With that in mind it should be pointed out that one character I was never especially familiar with when growing up was the Green Lantern. His seemed too complicated a story to dive in to, even in those days of revisionism and reboot. So, with that in mind, I looked to this later feature from the movie wing of DC comics with some anticipation. Yes, the trailers looked silly, and yes, early word wasn’t kind on the movie, but I went in with an open mind, and a willingness to be entertained. And entertained I was. Green Lantern tells the story of an intergalactic corps of protectors, a space police of sorts. Following the death of one particular “lantern” a replacement is found in the shape of Hal Jordan, an irresponsible and cocky young test pilot, who, on the face of it at least, is the complete opposite of all that is demanded of the selfless “lantern” figure that he ought to be. So far, so Tony Stark/Thor/Captain Kirk, but within the context of this form of popcorn entertainment thats not a problem. As Hal comes to terms with who he is and what he has to do the viewer follows him on a journey that takes him across space and through multiple characters, fighting the double foes of fear incarnate (a being named Parallax) and a rogue scientist with a personal connection to our hero. Again, the film hits the bases that one would expect, but it does it with such a knowing nod to its audience that it doesn’t ever seem like an issue. The concept of the superhero disguise is touched on with a referentiality that charms (note the wink to Christian Bale’s gruff Bat-voice), and the world of the Lantern’s, a planet by the vowelly reliant name of ‘Oa’ is suitably impressive in scale and scope, coming across as a more interesting Pandora via the mind of George Lucas. Performance wise the film works fine. Ryan Reynolds is charming and affable as the reckless Hal, while the traditionally fantastic Peter Sarsgaard is given his first real opportunity to ham it up on-screen as the appropriately named Hector Hammond, and The Town’s Blake Lively makes for a likeable love interest. Supporting turns from Mark Strong, Tim Robbins and the voice of Geoffrey Rush are welcome too. There are problems with the film. A couple of ill-judged flashbacks complete with poor performances from child actors don’t work at all; they seem ill placed and do little more than shove the already prevalent “daddy issues” subplot down the throat of the viewer, and there are some major issues with plotting, with Hal’s “journey” seeming a little flat in scope at times. As is seemingly the requirement with modern blockbusters, the film also suffers from some questionable CGI, but by and large Green Lantern is an enjoyable comic-book tale of space police and world eating monsters. It won’t change the world, and its hardly essential, but as harmless mainstream cinema goes this is at least interesting, and thats more than can be said of the vast majority of this years blockbuster output thus far.
< Message edited by adambatman82 -- 18/6/2011 1:54:54 AM >
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