furrybastard
Posts: 5117
Joined: 30/9/2005 From: Ireland
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I think Liefeld's point (ignoring the immaturity with which he chose to deliver it) is a fair one which is that Batman was, is and always will be one of the biggest selling books DC has. So it doesn't really matter who is writing and drawing it because it's the character that's popular, moreso than the talent involved. That's not to say the talent aren't important or don't have an effect on sales but just that there's a die-hard group that'll buy Batman anyway and any effect will, for the most part, be relatively minimal. People obviously like the current direction and that's reflected in the charts but if that was creator-driven, then surely their other comics would also sell extremely well. American Vampire hasn't exactly increased in sales since Snyder's rise in superhero comics. I've always had a sort of grudging admiration for people who burn their bridges so throughly and chaotically when quitting a job. I'm not a fan of Liefeld's art or writing by any means (though he's not too far off Jim Lee's art, if you ask me, and the fanboys love Lee) but this is hardly the first time he's been 'blacklisted' by Marvel or DC. He's pretty much got his nest egg sorted after his Image years so it's probably not that big a deal to him. Also: the bigger picture. What the hell is going on with DC editorial!? Liefeld, Gail Simone, John Rozum, George Perez, Brian Wood, Chris Roberson, a hell of a lot of artists and even (allegedly) Grant Morrison are leaving titles and, in some cases, DC Comics altogether. Soon enough it'll be Geoff Johns and Scott Lobdell writing everything
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